This timely novel depicts the heart- and spirit-breaking difficulties faced by illegal immigrants with meticulous...
A Chinese woman who works in a New York nail salon doesn’t come home one day; her young son is raised by well-meaning strangers who cannot heal his broken heart.
We meet Bronx fifth-grader Deming Guo on the day his mother disappears without a trace. From there, the story moves both forward and backward, intercutting between the narrative of his bumpy path to adulthood and his mother’s testimony. Gradually the picture comes together—Deming was conceived in China and born in America because his unmarried mother, Peilan, decided she would rather borrow the $50,000 to be smuggled to America than live out her life in her rural village. After her baby is born she tries to hide him underneath her sewing machine at work, but clearly she cannot care for him and work enough to repay the loan shark. She sends him back to China to be raised by her aging father. When Deming is 6, Yi Ba dies, and the boy rejoins his mother, who now has a boyfriend and lives with him; his sister, Vivian; and her son, Michael. After Peilan disappears, Deming is shuffled into foster care—his new parents are a pair of white academics upstate. Ten years later, it is Michael who tracks down a college dropout with a gambling problem named Daniel Wilkinson and sends a message that, if he is Deming Guo, he has information about his mother. The twists and turns continue, with the answers about Peilan’s disappearance withheld until the final pages. Daniel’s involvement in the alternative music scene is painted in unnecessary detail, but otherwise the specificity of the intertwined stories is the novel’s strength. Ko’s debut is the winner of the 2016 Pen/Bellwether Prize for Fiction for a novel that addresses issues of social justice, chosen by Barbara Kingsolver.
This timely novel depicts the heart- and spirit-breaking difficulties faced by illegal immigrants with meticulous specificity.Pub Date: May 2, 2017
ISBN: 978-1-61620-688-8
Page Count: 352
Publisher: Algonquin
Review Posted Online: Jan. 22, 2017
Kirkus Reviews Issue: Feb. 1, 2017
BOOK REVIEW
The first novel in five years from the ever-popular Kingsolver (Pigs in Heaven, 1993, etc.) is a large-scale saga of an American family’s enlightening and disillusioning African adventure. It begins with a stunningly written backward look: Orleanna Price’s embittered memory of the uncompromising zeal that impelled her husband, Baptist missionary Nathan Price, to take her and their four daughters to the (then) Belgian Congo in 1959, and remain there despite dangerous evidence of the country’s instability under Patrice Lumumba’s ill-starred independence movement, Belgian and American interference and condescension, and Joseph Mobutu’s murderous military dictatorship. The bulk of the story, which is set in the superbly realized native village of Kilanga, is narrated in turn by the four Price girls: Leah, the “smart” twin, whose worshipful respect for her father will undergo a rigorous trial by fire; her —retarded” counterpart Adah, disabled and mute (though in the depths of her mind articulate and playfully intelligent); eldest sister Rachel, a self-important whiner given to hilarious malapropisms (“feminine tuition”; “I prefer to remain anomalous”); and youngest sister Ruth May, whose childish fantasies of union with the surrounding, smothering landscape are cruelly fulfilled. Kingsolver skillfully orchestrates her characters— varied responses to Africa into a consistently absorbing narrative that reaches climax after climax—and that, even after you’re sure it must be nearing its end, continues for a wrenching hundred pages or more, spelling out in unforgettable dramatic and lyric terms the fates of the surviving Prices. Little recent fiction has so successfully fused the personal with the political. Better even than Robert Stone in his otherwise brilliant Damascus Gate, Kingsolver convinces us that her characters are, first and foremost, breathing, fallible human beings and only secondarily conduits for her book’s vigorously expressed and argued social and political ideas. A triumph.
Pub Date: Nov. 1, 1998
ISBN: 0-06-017540-0
Page Count: 576
Publisher: HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 1998
Unabashedly over the top at times but, still, a saga that gives rise to as much amusement as it does sober reflection. A...
In a witty, wacky, and endlessly erudite debut, DeWitt assembles everything from letters of the Greek alphabet to Fourier analysis to tell the tale of a boy prodigy, stuffed with knowledge beyond his years but frustrated by his mother’s refusal to identify his father.
Sibylla and five-year-old Ludovic are quite a pair, riding round and round on the Circle Line in London’s Underground while he reads the Odyssey in the original and she copes with the inevitable remarks by fellow passengers. Sibylla, an expatriate American making a living as a typist, herself possesses formidable intelligence, but her eccentricities are just as noteworthy. Believing Kurosawa’s Seven Samurai to be a film without peer, she watches it day after day, year after year, while in the one-night stand with Ludo’s father-to-be, she wound up in bed with him for no better reason than it wouldn’t have been polite not to, although subsequently she has nothing but scorn for his utterly conventional (if successful) travel books. Ludo she keeps in the dark about his patrimony, feeding him instead new languages at the rate of one or two a year, and, when an effort to put him in school with others his age wreaks havoc on the class, she resumes responsibility for his education, which, not surprisingly, relies heavily on Kurosawa’s film. As Ludo grows up, however, he will not be denied knowledge of his father, and sniffs him out—only to be as disappointed with him as his mother is. Hopes of happiness with the genuine article having been dashed, Ludo moves on to ideal candidates, and approaches a succession of geniuses, each time with a claim of being the man’s son. While these efforts are enlightening, they are also futile—and in one case tragic—until Ludo finds his match in one who knows the dialogue of Seven Samurai almost as well as he does.
Unabashedly over the top at times but, still, a saga that gives rise to as much amusement as it does sober reflection. A promising start, indeed.Pub Date: Sept. 1, 2000
ISBN: 0-7868-6668-3
Page Count: 544
Publisher: Hyperion
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 2000
BOOK REVIEW
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