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HELLO AMERICAN LADY CREATURE

WHAT I LEARNED AS A WOMAN IN QATAR

A hopeful read exploring the complexities of navigating cultural and societal expectations abroad.

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In her debut memoir, Kirchner chronicles the unexpected transformation her life took while living and working in mid-2000s Qatar.

At the age of 35, Kirchner was happily married and working steadily for Pittsburgh’s Carnegie Mellon University. Three months after Kirchner suggested moving to the Middle East for a year so her husband, Geoff, could launch his career as a freelance journalist, they were living there. Having moved often as a child, Kirchner saw the transition as a fresh challenge. Furthermore, she believed the experience could be the couple’s last adventure before settling down to begin their family. Conveniently, Kirchner could accept a marketing director position at Carnegie Mellon’s soon-to-be-opened undergraduate branch in Qatar. Here, she provides a helpful overview of the intersecting political and religious cultures in Qatar, and she starts each chapter with translated Arabic words that foreshadow the content to follow. While Kirchner delved wholeheartedly into the university job meant to support her husband’s journalism dream, Geoff’s presence in Qatar began to dissolve as he seemed to be around less and less. In increasingly heavy foreshadowing of the unfortunate turn her marriage took, Kirchner evokes empathy through the effective communication of her raw emotions. As a result, the issues Kirchner faced, while sometimes obvious in hindsight, become surprising for readers. Meanwhile, Kirchner tirelessly navigated the challenges she faced as a female expat and breadwinner working in a patriarchal society. She found Qatar’s workplace culture to be especially complex, since the country is primarily occupied by a diverse group of foreigners. At times, Kirchner’s detailing of her daily work relationships can be a bit overly detailed and inessential to the narrative. However, through humor and her self-described “friend-dependency,” her internal considerations of her identity in Qatar as a woman, partner and feminist prove worthy of the reader’s patience.

A hopeful read exploring the complexities of navigating cultural and societal expectations abroad.

Pub Date: May 31, 2014

ISBN: 978-0988696860

Page Count: 364

Publisher: Greenpoint Press

Review Posted Online: Sept. 7, 2014

Kirkus Reviews Issue: Oct. 1, 2014

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THE ELEMENTS OF STYLE

50TH ANNIVERSARY EDITION

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...

Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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