Lutz provides some great suggestions for going on the lam (a lot of hair dye and car switching is involved), but at its...
With her latest books, Lutz is deep in thriller territory, and she writes like she’s happy to be there.
Best known for her wry series of mysteries starring the San Francisco–based Spellman family (imagine if Seymour Glass and his parents and siblings opened a private investigation service), last year Lutz veered toward straight fiction with How to Start a Fire, a richly plotted tale of the relationships among four college friends. In this new book, the protagonist, who's known as Tanya when we meet her, comes home to a dead husband (not her fault, really, he fell down the stairs) and decides her best option is to run. Different names see her through different lives, though she's always trying to escape both Tanya and an identity even further back in her past, which is cleverly revealed through a series of emails with someone who really knew, and loved, her. Meanwhile, in order to secure a new identity after Tanya is wanted in connection with her husband’s death, she calls on a man who was involved in that past. He sends some money, a new birth certificate, and a couple of thugs to kill her. Complicating things further is a woman she meets called Blue, who's also on the run but seems to have something on our protagonist. Lutz’s pacing is excellent, and the interior monologue captures what it would be like not to have a name or, even worse, a valid ID.
Lutz provides some great suggestions for going on the lam (a lot of hair dye and car switching is involved), but at its core, this is a novel about identity: a slippery notion which depends upon both how the world sees us and how we see ourselves.Pub Date: March 1, 2016
ISBN: 978-1-4516-8663-0
Page Count: 320
Publisher: Simon & Schuster
Review Posted Online: Dec. 21, 2015
Kirkus Reviews Issue: Jan. 1, 2016
The setup is so patient and the logistics so matter-of-fact that even the savviest readers will be caught in the story’s...
The FBI hires an aging child actor to go undercover in a West Virginia prison to extract vital information from a convicted money launderer who’d rather keep his head down.
Tommy Jump’s best days onstage are probably behind him. At 27, he’s too old to play children or even teenagers. But as his old schoolmate Danny Ruiz, who’s now with the FBI, assures him, he’s not too old to earn a fat paycheck by playing the role of Peter Lenfest Goodrich, the high school history teacher who reacted to a bank’s plans to foreclose on his mortgage by robbing the bank and then getting caught. Danny is convinced that Tommy’s just the person to worm himself into the confidence of Mitchell Dupree, whose job as an executive in the Latin American division at Union South Bank was seriously compromised when he laundered millions for El Vio, the fearsome, half-blind boss of the New Colima Cartel. Mitch has a wife and two children just beginning the long wait outside for him to serve his time, and although he’s arranged for the documentary evidence he assembled against El Vio to be turned over to the authorities if anything untoward happens to him, he’s not about to upset the apple cart by talking out of turn—unless of course it’s to innocuous Pete Goodrich, who’ll be serving time alongside him in the minimum security Morgantown Prison as soon as he pleads guilty and bids a tearful farewell to Amanda Porter, Tommy’s actual fiancee, who’s just found out she’s pregnant. After all, Tommy’s been acting professionally for most of his life, and the FBI will spring him on a moment’s notice if he gets into trouble, so what could possibly go wrong? Fans of Parks’ well-oiled thrillers (Closer than You Know, 2018, etc.) won’t even bother to ask; they’ll be too busy licking their chops anticipating the twists that are bound to come.
The setup is so patient and the logistics so matter-of-fact that even the savviest readers will be caught in the story’s expertly laid traps before they know what’s happening.Pub Date: March 12, 2019
ISBN: 978-1-5247-4353-6
Page Count: 384
Publisher: Dutton
Review Posted Online: Nov. 25, 2018
Kirkus Reviews Issue: Dec. 15, 2018
A methodical bomber gives Virgil Flowers a welcome chance to recover from his atypically bombastic last outing (Bad Blood, 2010, etc.).
Three days before his 70th birthday, billionaire Willard Pye and his board of directors are one room away from an explosion that rocks his boardroom outside Grand Rapids and kills Angela (Jelly) Brown, his executive assistant. Another blast follows with indecent haste, killing a construction superintendent at the site planned for a new PyeMart in Butternut Falls, Minn. The second bombing brings out the Minnesota Bureau of Criminal Apprehension in the person of Virgil Flowers, who assures the disgruntled Pye that he expects to clear the case within a week. “One week and I kiss his ass,” Pye tells Marie Chapman, his high-priced amanuensis. But a week doesn’t look like nearly long enough for a case this complex. Lots of townsfolk in Butternut Falls are against the new megastore. The Cold Stream Fishers, fearing that a pristine trout stream will be fouled, are especially militant. And Despite Pye’s denials, it looks as if a PyeMart expediter has bribed Mayor Geraldine Gore and at least three city councilmen into supporting the highly divisive project. Virgil networks, invites more than 100 locals to make up lists of potential bombers and wonders whether his faltering long-distance relationship with Warren Count Sheriff Lee Coakley is strong enough to keep him safe from Marie Chapman and other indigenous temptresses. The bomber, meanwhile, is moving ahead with a deep-laid plan, setting off one explosive device after another in order to make some kind of statement, mislead Virgil and cover his tracks. The tale drags at times, but the mystification and detection are authentic and the solution surprisingly clever. Virgil fully deserves to have Willard Pye kiss his ass.
Pub Date: Oct. 1, 2011
ISBN: 978-0-399-15769-1
Page Count: 400
Publisher: Putnam
Review Posted Online: Aug. 15, 2011
Kirkus Reviews Issue: Sept. 1, 2011
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