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THE UPRISING

From the Forsaken series , Vol. 2

The weak worldbuilding strains credulity, but the nifty technology and exciting battle scenes should engage fans of the...

The second installment of the near-future dystopia series begun in The Forsaken (2012) revisits familiar narrative territory, exhibiting the opener’s strengths and weaknesses.

Alenna and Liam have escaped “the wheel,” an island prison camp for teens resistant to the mind-control drugs through which the totalitarian United Northern Alliance rules North America. Now safe in a secret Australian hideout where rebel scientists, including Alenna’s mother, plot the UNA’s overthrow, the two encounter “drones,” other wheel refugees. Alenna and Liam are wary of them, last seen engaging in an orgy of violence, and the feeling is mutual. But these ex-drones have come to their senses—or have they? Betrayed to the UNA, the rebels flee to another refuge in Antarctica, from which they soon depart. When the plot shifts to the wheel, the story feels like a retread of the first book—the same brutally primitive environment laced with deadly weapons, inhabited by mindless drones led by a masked, charismatic leader. The author’s gift for creating vivid action scenes and shaping rubber science into believable form keeps readers engaged, but in quieter moments, the flat characters, contradictions and absurd time frame are impossible to ignore.

The weak worldbuilding strains credulity, but the nifty technology and exciting battle scenes should engage fans of the genre. (Science fiction. 12 & up)

Pub Date: Aug. 6, 2013

ISBN: 978-1-4424-3268-0

Page Count: 400

Publisher: Simon & Schuster

Review Posted Online: May 21, 2013

Kirkus Reviews Issue: June 15, 2013

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BETTER THAN THE MOVIES

From the Better Than the Movies series , Vol. 1

Exactly what the title promises.

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A grieving teen’s devotion to romance films might ruin her chances at actual romance.

Liz Buxbaum has always adored rom-coms, not least for helping her still feel close to her screenwriter mother, who died when she was little. Liz hopes that her senior year might turn into a real-life romantic fantasy, as an old crush has moved back to town, cuter and nicer than ever. Surely she can get Michael to ask her to prom. If only Wes, the annoying boy next door, would help her with her scheming! This charming, fluffy concoction manages to pack into one goofy plot every conceivable trope, from fake dating to the makeover to the big misunderstanding. Creative, quirky, daydreaming Liz is just shy of an annoying stereotype, saved by a dry wit and unresolved grief and anger. Wes makes for a delightful bad boy with a good heart, and supporting characters—including a sassy best friend, a perfect popular rival, even a (not really) evil stepmother—all get the opportunity to transcend their roles. The only villain here is Liz’s lovelorn imagination, provoking her into foolish lies that cause actual hurt feelings; but she is sufficiently self-aware to make amends just in time for the most important trope of all: a blissfully happy ending. All characters seem to be White by default.

Exactly what the title promises. (Romance. 12-18)

Pub Date: May 4, 2021

ISBN: 978-1-5344-6762-0

Page Count: 368

Publisher: Simon & Schuster

Review Posted Online: Feb. 22, 2021

Kirkus Reviews Issue: March 15, 2021

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IF ONLY I HAD TOLD HER

A heavy read about the harsh realities of tragedy and their effects on those left behind.

In this companion novel to 2013’s If He Had Been With Me, three characters tell their sides of the story.

Finn’s narrative starts three days before his death. He explores the progress of his unrequited love for best friend Autumn up until the day he finally expresses his feelings. Finn’s story ends with his tragic death, which leaves his close friends devastated, unmoored, and uncertain how to go on. Jack’s section follows, offering a heartbreaking look at what it’s like to live with grief. Jack works to overcome the anger he feels toward Sylvie, the girlfriend Finn was breaking up with when he died, and Autumn, the girl he was preparing to build his life around (but whom Jack believed wasn’t good enough for Finn). But when Jack sees how Autumn’s grief matches his own, it changes their understanding of one another. Autumn’s chapters trace her life without Finn as readers follow her struggles with mental health and balancing love and loss. Those who have read the earlier book will better connect with and feel for these characters, particularly since they’ll have a more well-rounded impression of Finn. The pain and anger is well written, and the novel highlights the most troublesome aspects of young adulthood: overconfidence sprinkled with heavy insecurities, fear-fueled decisions, bad communication, and brash judgments. Characters are cued white.

A heavy read about the harsh realities of tragedy and their effects on those left behind. (author’s note, content warning) (Fiction. 14-18)

Pub Date: Feb. 6, 2024

ISBN: 9781728276229

Page Count: 416

Publisher: Sourcebooks Fire

Review Posted Online: Jan. 5, 2024

Kirkus Reviews Issue: Feb. 1, 2024

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