by Lisa Tawn Bergren ; illustrated by Greg Stobbs ‧ RELEASE DATE: Aug. 1, 2023
Like a lingering hug.
A perspective on omnipresence for young Christians.
A little girl asks her mother, “Where is God?” The response is an assured “here,” “in heaven,” and “everywhere.” Both agree that God’s ability to be everywhere at once is amazing. Mama tells the child that God is in attendance when we are born, when we are sick, and when people help one another, especially those in need. God is also present all day—and all night—long. The little girl and her mother visit their neighborhood church, where Mama explains that God showed his love for us by sending us his son, who died for people’s sins. As Mama promises the child that God will be with them “always and forever,” they embrace. Later that night, as the girl goes to sleep, she thanks God for being with her and looks forward to life in God’s eternal presence. Calm awe suffuses the tenderly encouraging text, complemented by the illustrations. Depictions of rays of light and warm glows symbolize the gentle presence of the deity. Though the story is set in a bustling city, the mother and child interact with nature, too—one scene shows them at the beach, while another shows them walking through a city park. Mama is light-skinned, while the child presents Black; other characters are racially diverse. (This book was reviewed digitally.)
Like a lingering hug. (Picture book. 3-7)Pub Date: Aug. 1, 2023
ISBN: 9780061131783
Page Count: 40
Publisher: Harper/HarperCollins
Review Posted Online: May 24, 2023
Kirkus Reviews Issue: June 15, 2023
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by Lisa Tawn Bergren ; illustrated by David Hohn
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by Lisa Tawn Bergren ; illustrated by Laura J. Bryant
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by Lisa Tawn Bergren & illustrated by Laura J. Bryant
by Lisa Tawn Bergren & illustrated by Laura J. Bryant ‧ RELEASE DATE: Jan. 15, 2013
Fans of this popular series will find this a rewarding addition to family Easter celebrations.
Bergren and Bryant attempt to explain Easter to young children in a gentle, nonthreatening manner, with partial success.
When Little Cub questions her father about Easter, Papa Bear explains the religious significance of the holiday in various symbolic ways to his cub. He uses familiar things from their world, such as an egg and a fallen tree, to draw parallels with aspects of the Christian story. Papa Bear discusses his close relationships with Jesus and God, encouraging Little Cub to communicate with God on her own. The theme focuses on the renewal of life and the positive aspects of loving God and Jesus. Easter is presented as a celebration of eternal life, but the story skirts the issue of the crucifixion entirely. Some adults will find this an inadequate or even dishonest approach to the Easter story, but others will appreciate the calm and soothing text as a way to begin to understand a difficult subject. Bryant’s charming watercolor illustrations of the polar bear family, their cozy home and snowy forest scenes add to the overall mellow effect.
Fans of this popular series will find this a rewarding addition to family Easter celebrations. (Religion/picture book. 3-6)Pub Date: Jan. 15, 2013
ISBN: 978-0-307-73072-5
Page Count: 40
Publisher: WaterBrook
Review Posted Online: Dec. 11, 2012
Kirkus Reviews Issue: Jan. 1, 2013
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by Eileen Spinelli ; illustrated by Archie Preston ‧ RELEASE DATE: Sept. 1, 2015
Low-key and gentle; a book to be thankful for.
Spinelli lists many things for which people are thankful.
The pictures tell a pleasing counterpoint to this deceptively simple rhyme. It begins “The waitress is thankful for comfortable shoes. / The local reporter, for interesting news.” The pictures show a little girl playing waitress to her brother, who playacts the reporter. The news gets interesting when the girl trips over the (omnipresent) cat. As the poem continues, the Caucasian children and their parents embody all the different roles and occupations it mentions. The poet is thankful for rhyme and the artist, for light and color, although the girl dancer is not particularly pleased with her brother’s painterly rendition of her visual art. The cozy hotel for the traveler is a tent for the siblings in the backyard, and the grateful chef is their father in the kitchen. Even the pastor (the only character mentioned who is not a family member) is grateful, as he is presented with a posy from the girl, for “God’s loving word.” The line is squiggly and energetic, with pastel color and figures that float over white space or have whole rooms or gardens to roam in. Both children, grateful for morning stories, appear in a double-page spread surrounded by books and stuffed toys as their mother reads to them—an image that begs to be a poster.
Low-key and gentle; a book to be thankful for. (Picture book. 4-7)Pub Date: Sept. 1, 2015
ISBN: 978-0-310-00088-4
Page Count: 32
Publisher: Zonderkidz
Review Posted Online: May 17, 2015
Kirkus Reviews Issue: June 15, 2015
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