by Lita Judge ; illustrated by Lita Judge ‧ RELEASE DATE: Jan. 15, 2019
Lighthearted and lots of fun.
The rotund, ambitious hero of Flight School (2014) returns home to Antarctica to share the magic of flying above the earth with his penguin friends.
When Teacher and Flamingo realize that Penguin seems homesick, they plan together to fly the little flightless bird the long distance to his icy home. There, Penguin tries to convince the other young penguins of the marvels of flying. They are unconvinced—and take joy in a plunge and some underwater soaring. In the end, Penguin realizes that his particular passion for flying makes him different but that being different is just fine. Judge’s animated style invests Penguin, his classmates, and his penguin friends with endearing personalities. Penguin is attired in goggles and the flight suit that helps his more-accomplished flying friends to bear him aloft. Made of fishing lines with attendant lures bouncing from the ends, the apparatus gives him a jaunty look. Aerial scenes from Penguin’s viewpoint make his happiness at seeing the world from the sky persuasive, and the affection shown him by his flight school companions as well as by his fellow penguins is affirming. Endpapers offer yearbook-style portraits from Penguin’s flight school and vignettes from his scrapbook of his trip to Antarctica.
Lighthearted and lots of fun. (Picture book. 3-5)Pub Date: Jan. 15, 2019
ISBN: 978-1-5344-1441-9
Page Count: 40
Publisher: Atheneum
Review Posted Online: Sept. 16, 2018
Kirkus Reviews Issue: Oct. 1, 2018
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by Satoe Tone ; illustrated by Satoe Tone ‧ RELEASE DATE: July 1, 2013
There is not enough humor, emotion, action or conflict, nor are there sufficient details for children to notice in the...
Decorative design? Yes. Scintillating story? Not so much.
The small trim size (6 inches by 8 inches) makes a slightly larger-than–life-sized carrot seem very big indeed; it never actually fits on the double-page spreads. Six puffy rabbits with indistinguishable personalities find the vegetable and then wonder what to do with it—five times. The repetitive syntax and vocabulary make the text sound like it escaped from an early reader: “What else could they do with the very big carrot? Maybe they could….” After making it into a boat, airplane, sky garden and house, they eat it. The end. Tone has an eye for pattern and composition. The cover is indicative of her style: Six white rabbits sit in a row on top of a circular orange base. They are shaded by a triangular, fringed canopy of carrot leaves. Delicate green fronds fill every inch around the base, while circular, veined leaves in shades of tangerine and peach, dotted with white stars, bleed off the top of the jacket. This will likely appeal to adults who appreciate adorned surfaces. For engaging storytelling, stick with Margaret Wise Brown’s The Runaway Bunny or try Aaron Reynold and Peter Brown’s Creepy Carrots (2012).
There is not enough humor, emotion, action or conflict, nor are there sufficient details for children to notice in the visual narrative, to encourage repeated readings . (Picture book. 3-5)Pub Date: July 1, 2013
ISBN: 978-0-8028-5426-1
Page Count: 26
Publisher: Eerdmans
Review Posted Online: May 14, 2013
Kirkus Reviews Issue: June 1, 2013
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by Satoe Tone & illustrated by Satoe Tone & developed by Paramecio Studio & Kite Edizioni Srl
by Michele Boyd ; illustrated by Kara Kenna ‧ RELEASE DATE: March 1, 2013
For lift-the-flap done right, skip this one and choose Lucy Cousins’ Maisy’s Big Flap Book (2001) or one of Karen Katz’s...
A chunky lift-the-flap board book about a little lost duckling reunited with its family.
Mama Duck has lost her littlest egg. The ladybugs haven’t seen it. Neither have the fish. The Easter Bunny, however, knows exactly where to look. After the family is reunited, they all go home for a good night’s rest. The text incorporates a lift-the-flap feature, but there does not seem to be much rhyme or reason behind this choice. Seemingly random parts of the text and illustrations are hidden under flaps, with the only rhetorically effective spread being the one featuring the flap that turns out to be hiding the little duck. The illustrations incorporate animals made of Play-Doh, lending them a distinct Claymation quality. They are very colorful but so busy as to appear crowded. Little ones might enjoy looking for the yellow eggshell containing the missing duckling on several of the pages if they are not too distracted by the unnecessary flaps.
For lift-the-flap done right, skip this one and choose Lucy Cousins’ Maisy’s Big Flap Book (2001) or one of Karen Katz’s delightful outings, such as Where Is Baby’s Yummy Tummy? (2011) or Where Is Baby’s Puppy? (2011). (Board book. 3-4)Pub Date: March 1, 2013
ISBN: 978-1-60710-771-2
Page Count: 12
Publisher: Silver Dolphin
Review Posted Online: May 22, 2013
Kirkus Reviews Issue: July 1, 2013
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illustrated by Kara Kenna
by Michele Boyd ; illustrated by Kara Kenna
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