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HOW TO SAVE A LIFE

A well-told story that leaves some questions unanswered—but in a good way.

A 34-year-old San Diego man is on a date with his ex-fiancee, whom he has never gotten over, when she dies horribly. He then relives the same day over and over again, each time trying to save her life.

Dominic Suarez fell hard for Mia Bell and proposed to her when they were in their early 20s. But then he derailed both their lives by breaking off the engagement. She fled to Chicago and became a teacher; he stayed in San Diego and became a TV producer. Ten years later, he's still obsessed with the one who got away. A chance encounter after she moves back to town leads to a date at the San Diego County Fair. That date goes perfectly—that is, until the ride they are on suffers a catastrophic failure and Mia is killed in a 54 foot fall. Dom is broken by the loss. But when he wakes up the next morning, it is once again the day of their date. He enters a time loop—à la the 1993 movie classic Groundhog Day—where he dedicates himself to helping everyone he comes across and tries to keep Mia from dying, only to fail to save her every day. Authors Fenton and Steinke have created a realistic look at the trauma that reliving the same events multiple times might cause a person as they try to come to terms with the impossible. They also explore the meaning of love, compatibility, and how a person might change—yet remain the same—over the course of a decade or even just a week. Their storytelling is on point, and each version is told from a new angle as Dom mentally works through the situation he's in, trying to grapple with how he can become a better man.

A well-told story that leaves some questions unanswered—but in a good way.

Pub Date: July 14, 2020

ISBN: 978-1-5420-0509-8

Page Count: 303

Publisher: Lake Union Publishing

Review Posted Online: April 12, 2020

Kirkus Reviews Issue: May 1, 2020

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THE CORRESPONDENT

An affecting portrait of a prickly woman.

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A lifetime’s worth of letters combine to portray a singular character.

Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.

An affecting portrait of a prickly woman.

Pub Date: May 6, 2025

ISBN: 9780593798430

Page Count: 304

Publisher: Crown

Review Posted Online: Feb. 15, 2025

Kirkus Reviews Issue: March 15, 2025

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MONA'S EYES

A pleasant if not entirely convincing tribute to the power of art.

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A French art historian’s English-language fiction debut combines the story of a loving relationship between a grandfather and granddaughter with an enlightening discussion of art.

One day, when 10-year-old Mona removes the necklace given to her by her now-dead grandmother, she experiences a frightening, hour-long bout of blindness. Her parents take her to the doctor, who gives her a variety of tests and also advises that she see a psychiatrist. Her grandfather Henry tells her parents that he will take care of that assignment, but instead, he takes Mona on weekly visits to either the Louvre, the Musée d’Orsay, or the Centre Pompidou, where each week they study a single work of art, gazing at it deeply and then discussing its impact and history and the biography of its maker. For the reader’s benefit, Schlesser also describes each of the works in scrupulous detail. As the year goes on, Mona faces the usual challenges of elementary school life and the experiences of being an only child, and slowly begins to understand the causes of her temporary blindness. Primarily an amble through a few dozen of Schlesser’s favorite works of art—some well known and others less so, from Botticelli and da Vinci through Basquiat and Bourgeois—the novel would probably benefit from being read at a leisurely pace. While the dialogue between Henry and the preternaturally patient and precocious Mona sometimes strains credulity, readers who don’t have easy access to the museums of Paris may enjoy this vicarious trip in the company of a guide who focuses equally on that which can be seen and the context that can’t be. Come for the novel, stay for the introductory art history course.

A pleasant if not entirely convincing tribute to the power of art.

Pub Date: Aug. 26, 2025

ISBN: 9798889661115

Page Count: 432

Publisher: Europa Editions

Review Posted Online: June 7, 2025

Kirkus Reviews Issue: July 15, 2025

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