An entertaining period romance with grand manor houses and the gowns to go with them.
In a romance set in the latter part of the 18th century, life is far from smooth sailing for British aristocrats and their acquaintances.
Field focuses on the family of the third Earl of Stoneleigh, Geoffrey Chatswell-Brawley, and his wife, Anne. Anne is devastated by the death of their daughter, Alice. Lord Stoneleigh has no sooner begun to lovingly cajole Anne to move past Alice's death than Anne finds her rusticated brother, John Melton, weaving through London society to find a suitable wife. At the same time, the book reveals that Geoffrey’s father, Robert, the second Earl of Stoneleigh, had an early marriage to a commoner that produced a son, Robert—Geoffrey’s half brother—and that Robert’s son, Harry, might be a claimant to the earldom because Geoffrey and Anne have yet to produce a son. Geoffrey and his half brother warily begin a friendship, and the awkward John falls in love with Harry’s sister, Kitty. In the end, a faraway shipwreck changes multiple lives, and a host of other characters add color and interest to the plot. They include the dashing Capt. Hardwick and ravishing young women like 16-year-old Joanna Chatswell-Brawley, who’s in love with him. Field understands the Georgian era—this is the second novel in a series—and makes fine use of its conventions: the rigid social structure, the almost impossible rules of etiquette, the lovingly described interiors of these grand manor houses, and especially the gowns (oh, the gowns!). Overall, the novel may remind some readers of an 18th-century Downton Abbey. The author provides three appropriate family trees as frontmatter and a descriptive list of all the characters as backmatter. The stage is set for a sequel in which—fans of the series will hope—the earl will at last have a son and heir.
An entertaining period romance with grand manor houses and the gowns to go with them.Pub Date: Oct. 21, 2021
ISBN: 978-1-73743-431-3
Page Count: 302
Publisher: Linda Florence
Review Posted Online: July 4, 2022
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
A pleasant if not entirely convincing tribute to the power of art.
A French art historian’s English-language fiction debut combines the story of a loving relationship between a grandfather and granddaughter with an enlightening discussion of art.
One day, when 10-year-old Mona removes the necklace given to her by her now-dead grandmother, she experiences a frightening, hour-long bout of blindness. Her parents take her to the doctor, who gives her a variety of tests and also advises that she see a psychiatrist. Her grandfather Henry tells her parents that he will take care of that assignment, but instead, he takes Mona on weekly visits to either the Louvre, the Musée d’Orsay, or the Centre Pompidou, where each week they study a single work of art, gazing at it deeply and then discussing its impact and history and the biography of its maker. For the reader’s benefit, Schlesser also describes each of the works in scrupulous detail. As the year goes on, Mona faces the usual challenges of elementary school life and the experiences of being an only child, and slowly begins to understand the causes of her temporary blindness. Primarily an amble through a few dozen of Schlesser’s favorite works of art—some well known and others less so, from Botticelli and da Vinci through Basquiat and Bourgeois—the novel would probably benefit from being read at a leisurely pace. While the dialogue between Henry and the preternaturally patient and precocious Mona sometimes strains credulity, readers who don’t have easy access to the museums of Paris may enjoy this vicarious trip in the company of a guide who focuses equally on that which can be seen and the context that can’t be. Come for the novel, stay for the introductory art history course.
A pleasant if not entirely convincing tribute to the power of art.Pub Date: Aug. 26, 2025
ISBN: 9798889661115
Page Count: 432
Publisher: Europa Editions
Review Posted Online: June 7, 2025
Kirkus Reviews Issue: July 15, 2025
SEEN & HEARD
SEEN & HEARD
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