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MY LIPS, HER VOICE

An intriguing and atmospheric queer mystery that’s peppered with the supernatural.

In a former mining town with a bloody history called Copper City, the most haunted place in North America, four young women—Audrey, Mara, Zadie, and Shirley—are inextricably connected through time itself by the sudden and mysterious disappearance of a local high school student.

Days after Mara is brutally murdered and her body is found in the long abandoned—and reportedly haunted—Copper City mines, her restless and vengeful spirit takes up residence in her cousin Audrey’s mind. While neither girl is particularly thrilled by this sudden possession, especially Audrey, the two are forced to work together when a growing string of disappearances threatens the livelihood and safety of their home town. With the help of Mara’s ex-girlfriend, Zadie, and haunted by their grandmother Shirley’s connections to the supernatural, the girls race to piece together the truth before the killer who took Mara’s life strikes again. Using alternating points of view, Madrid does a flawless job at helping readers to differentiate between each young woman as their collective story unfolds. Each have distinct voices, and all four are deeply flawed and feel undeniably like teenagers trying to find their place in the world. Audrey is insecure and bends to Mara’s will; Zadie is often self centered and unfaithful to Mara; Mara is manipulative and borderline abusive to Audrey; and Shirley struggles to balance her prophetic visions with real life. (Shirley’s chapters unfold 55 years in the past, gradually revealing that she’s Mara and Audrey’s grandmother, though she’s a teenager for most of the story.) Copper City feels like a character in itself, packed with small-town lore and a bloody history that haunts its inhabitants. The result is a sharp and atmospheric whodunit and a queer ghost story packed full of twists that will leave readers guessing.

An intriguing and atmospheric queer mystery that’s peppered with the supernatural.

Pub Date: Oct. 14, 2025

ISBN: 9781951971342

Page Count: 350

Publisher: Creature Publishing

Review Posted Online: Sept. 13, 2025

Kirkus Reviews Issue: Oct. 15, 2025

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DEVOLUTION

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

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THE SILENT PATIENT

Amateurish, with a twist savvy readers will see coming from a mile away.

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A woman accused of shooting her husband six times in the face refuses to speak.

"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.

Amateurish, with a twist savvy readers will see coming from a mile away.

Pub Date: Feb. 5, 2019

ISBN: 978-1-250-30169-7

Page Count: 304

Publisher: Celadon Books

Review Posted Online: Nov. 3, 2018

Kirkus Reviews Issue: Nov. 15, 2018

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