The heroine of last year's Illyrian Adventure returns for another series of hairbreadth escapes. Vesper Holly seems to be children's literature's answer to Indiana Jones: as such, she succeeds pretty well. Vesper and her amiable but bumbling narrator-guardian, Professor Brinton Garrett (Brinnie), receive a summons to the Central American country of El Dorado to see some territory, including a volcano, which turns out to belong to Vesper. They are welcomed but then imprisoned by de Rochefort, who is attempting to build a Panama-like canal (it's 1870), first exterminating the indigenous Chiricas. Escaping, Vesper and Brinnie fall in with the Chiricas, discovering that their chief, Acharro, is half Irish and Cambridge-educated. Illyria's arch-villian, Helvetius, turns up as the mastermind of the canal scheme and plays an extended game of cat-and-mouse, the irrepressible Vesper engineering escapes with the intelligence and cool confidence of a Houdini, till the volcano erupts and provides an unexpected resolution. Though this is chiefly a saga of derring-do, Alexander is too good a writer not to incorporate both thoughtful and subtle touches. He's firmly on the side of the Chiricas, and also of the Chirica women who have been doing all the tribe's labor; they get the vote as well as some help from their men. Brinnie's posturing and incompetence are still funny, though they begin to be tedious. Vesper is refreshingly vigorous and omniscient. Lightweight, compared to Alexander's Westmark series, but should entertain adventure fans.
Pub Date: April 1, 1987
ISBN: 0141304634
Page Count: 180
Publisher: Dutton
Review Posted Online: Oct. 27, 2011
Kirkus Reviews Issue: March 15, 1987
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK REVIEW
BOOK REVIEW
This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression.
After surviving a suicide attempt, a fragile teen isn't sure she can endure without cutting herself.
Seventeen-year-old Charlie Davis, a white girl living on the margins, thinks she has little reason to live: her father drowned himself; her bereft and abusive mother kicked her out; her best friend, Ellis, is nearly brain dead after cutting too deeply; and she's gone through unspeakable experiences living on the street. After spending time in treatment with other young women like her—who cut, burn, poke, and otherwise hurt themselves—Charlie is released and takes a bus from the Twin Cities to Tucson to be closer to Mikey, a boy she "like-likes" but who had pined for Ellis instead. But things don't go as planned in the Arizona desert, because sweet Mikey just wants to be friends. Feeling rejected, Charlie, an artist, is drawn into a destructive new relationship with her sexy older co-worker, a "semifamous" local musician who's obviously a junkie alcoholic. Through intense, diarylike chapters chronicling Charlie's journey, the author captures the brutal and heartbreaking way "girls who write their pain on their bodies" scar and mar themselves, either succumbing or surviving. Like most issue books, this is not an easy read, but it's poignant and transcendent as Charlie breaks more and more before piecing herself back together.
This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression. (author’s note) (Fiction. 14 & up)Pub Date: Aug. 30, 2016
ISBN: 978-1-101-93471-5
Page Count: 416
Publisher: Delacorte
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: May 15, 2016
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