by Lois Joy Hofmann ‧ RELEASE DATE: N/A
A handsome memoir that should interest would-be sailors, as well as the author’s loved ones.
The second entry in a retired couple’s seagoing travel memoir trilogy.
The inaugural volume of Hofmann’s (The Long Way Back, 2017, etc.) remembrance of an around-the-world catamaran trip chronicled their travels from Canet, France, to San Diego, and this sequel follows them from there, through the South Pacific to Bundaberg, Australia, in 2002. Along the way, the author documents stops in such exotic locales as the Marquesan Islands, French Polynesian islands such as Tahiti and Bora Bora, and New Zealand. This time, the trip is haunted by the dark specter of the 9/11 terrorist attacks. Still reeling from their expulsion from the biotech company they founded and frustrated by its subsequent floundering, the Hofmanns were in search of an opportunity for self-reflection and renewal. The author memorably describes their brushes with danger; while sailing though Tongan waters, for example, they heard a radio distress call seeking donations of A-positive blood after a shark attack. They also portray the quotidian quirks of long-distance travel, as well as their simple exhaustion. The book is once again vividly illustrated with full-page, color photographs, and crammed with diverting historical asides; for example, there’s a brief account of the Tahitian origin of the word “tattoo.” Also, this installment includes lessons that Gunter learned about sailing that could prove useful to readers who might be planning a boat trip of their own. Most readers won’t find all of the author’s account to be gripping, and at a certain point, it starts to feel like watching a stranger’s unedited vacation video. Hofmann’s writing, while lucid and sometimes poetic, can also be cliché-ridden. After describing some intramural drama among the staff at a Fijian resort, for instance, she adds, “The plot thickens.” Still, this is an informative travelogue overall, and a gorgeous coffee-table book.
A handsome memoir that should interest would-be sailors, as well as the author’s loved ones.Pub Date: N/A
ISBN: 978-0-9840913-4-8
Page Count: 312
Publisher: PIP Productions
Review Posted Online: Nov. 7, 2018
Review Program: Kirkus Indie
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BOOK REVIEW
by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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BOOK REVIEW
by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson
BOOK REVIEW
by E.T.A. Hoffmann & illustrated by Julie Paschkis
by William Strunk & E.B. White ‧ RELEASE DATE: May 15, 1972
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
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