by Lois Lowry ‧ RELEASE DATE: Sept. 6, 2016
In an updated edition of her photographic memoir originally published in 1998, Lowry offers reflections on life, work, and literature.
“Why do you and I have to hold these memories?” Jonas asks in The Giver (1993). “It gives us wisdom,” The Giver answers. As Alice Hoffman writes in a new introduction to this edition, “This charming volume,” like The Giver, “is also about memory.” Like the original, this engaging and accessible collection of memories is a scrapbook of family photographs, the prose serving as captions—short and long—to fill in the stories behind the pictures. “More!” Lowry’s children and grandchildren would say when she finished a read-aloud book. “More!” she would say upon closing a favorite. And “More!” is a theme here, too, with new chapters about her children, grandchildren, losses, goodbyes, honors, and surprises. There’s even a chapter on the making of the movie version of The Giver. Though more is not always better, it is here, making this volume even better than the original—fuller and wiser in its Giver-like understanding of the role of memory and of literature in our lives. A new cover photograph, smaller trim size, and sharper black-and-white photographs contribute to a handsome volume that ought to find a new generation of readers.
Timeless and wise. (Memoir. 10 & up)Pub Date: Sept. 6, 2016
ISBN: 978-0-544-80796-9
Page Count: 272
Publisher: HMH Books
Review Posted Online: June 22, 2016
Kirkus Reviews Issue: July 1, 2016
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by George Takei & Justin Eisinger & Steven Scott ; illustrated by Harmony Becker ‧ RELEASE DATE: July 16, 2019
A beautifully heart-wrenching graphic-novel adaptation of actor and activist Takei’s (Lions and Tigers and Bears, 2013, etc.) childhood experience of incarceration in a World War II camp for Japanese Americans.
Takei had not yet started school when he, his parents, and his younger siblings were forced to leave their home and report to the Santa Anita Racetrack for “processing and removal” due to President Franklin D. Roosevelt’s Executive Order 9066. The creators smoothly and cleverly embed the historical context within which Takei’s family’s story takes place, allowing readers to simultaneously experience the daily humiliations that they suffered in the camps while providing readers with a broader understanding of the federal legislation, lawsuits, and actions which led to and maintained this injustice. The heroes who fought against this and provided support to and within the Japanese American community, such as Fred Korematsu, the 442nd Regiment, Herbert Nicholson, and the ACLU’s Wayne Collins, are also highlighted, but the focus always remains on the many sacrifices that Takei’s parents made to ensure the safety and survival of their family while shielding their children from knowing the depths of the hatred they faced and danger they were in. The creators also highlight the dangerous parallels between the hate speech, stereotyping, and legislation used against Japanese Americans and the trajectory of current events. Delicate grayscale illustrations effectively convey the intense emotions and the stark living conditions.
A powerful reminder of a history that is all too timely today. (Graphic memoir. 14-adult)Pub Date: July 16, 2019
ISBN: 978-1-60309-450-4
Page Count: 208
Publisher: Top Shelf Books
Review Posted Online: Aug. 5, 2019
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by Kimberly Drew ‧ RELEASE DATE: June 2, 2020
Curator, author, and activist Drew shares her journey as an artist and the lessons she has learned along the way.
Drew uses her own story to show how deeply intertwined activism and the arts can be. Her choices in college were largely overshadowed by financial need, but a paid summer internship at the Studio Museum in Harlem became a formative experience that led her to major in art history. The black artists who got her interested in the field were conspicuously absent in the college curriculum, however, as was faculty support, so she turned her frustration into action by starting her own blog to boost the work of black artists. After college, Drew’s work in several arts organizations, including the Metropolitan Museum of Art in New York City, only deepened her commitment to making the art world more accessible to people of color and other marginalized groups, such as people with disabilities, and widening the scope of who is welcomed there. Drew narrates deeply personal experiences of frustration, triumph, progress, learning, and sometimes-uncomfortable growth in a conversational tone that draws readers in, showing how her specific lens enabled her to accomplish the work she has done but ultimately inviting readers to add their own contributions, however small, to both art and protest.
This deeply personal and boldly political offering inspires and ignites. (Nonfiction. 12-18)Pub Date: June 2, 2020
ISBN: 978-0-593-09518-8
Page Count: 64
Publisher: Penguin Workshop
Review Posted Online: March 29, 2020
Kirkus Reviews Issue: April 15, 2020
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