A disturbing, absorbing, and valuable addition to the literature of cruelty inflicted upon Indigenous peoples.
Chilton’s historical novel imagines the harrowing tale of three Virginian Patawomeck women who survived the 1666 massacre of the men of their tribe and were sold into slavery.
The small Native American Patawomeck tribe make their home in northern Virginia, near the Chesapeake. In 1666, frustrated with the tribe’s refusal to sell their land or accept the Virginia Governor’s Council’s choice for a new chief, the council chooses to respond with violence. On one summer night of that year, the Virginia militia enter the Patawomeck territory carrying their “thunder sticks” and savagely shoot every adult male in the village. They seize babies and corral the women, who are placed on a ship and sold into slavery in Barbados. Among these women are Ah’SaWei (Golden Fawn), a young mother, and her close friend, NePa’WeXo (Shining Moon). Once in Barbados, Ah’SaWei, her mother, and her daughter are sold to the Mount Faith Manor Plantation, owned by master Russell White, a Quaker. They are luckier than Xo and her daughter, who are purchased by the vicious, sexually avaricious master James Lewis of the Sugar Grove Plantation. In alternating chapters, Ah’SaWei, whose name is changed to Rebecca, and Xo, renamed Leah, narrate their tales of struggle and survival—on the ship, on the plantations, and after their triumphant return to the colonies in 1669. Packed with Indigenous culture and customs and sprinkled with tribal terminology, the narrative is vivid, magnetic, and chilling. The author is herself a Patawomeck descendant, and she’s combined scant available written records with tribal oral history to inform her creation of two emotionally powerful, vibrant female protagonists. Mixed in with the tragedies that befall these women are humorous moments, such as their descriptions of the English men: “They rarely bathe, their breath and teeth repulsive. They are hairy and filthy; they cover themselves with woven layers, fetid with sweat and dirt.” Several sections move languidly, but plenty of action, tears, cheers, and historical detail work to keep the pages turning.
A disturbing, absorbing, and valuable addition to the literature of cruelty inflicted upon Indigenous peoples.Pub Date: April 2, 2024
ISBN: 9781960573957
Page Count: 224
Publisher: Sibylline Press
Review Posted Online: Jan. 4, 2024
Kirkus Reviews Issue: Feb. 15, 2024
Review Program: Kirkus Indie
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
A dark and twisty look at just how far one woman is willing to go to find inspiration.
A struggling writer finds an unexpected muse when a mysterious man shows up at her cabin.
Petra Rose used to pump out a bestselling book every six months, but then the adaptation happened—that is, the disastrous film adaptation of her most famous book. The movie changed the book’s storyline so egregiously that fans couldn’t forgive her, and the ensuing harassment sent Petra into hiding and gave her a serious case of writer’s block. Petra’s one hope is her solo writing retreat at a remote cabin, where she can escape the distractions of real life and focus on her next book, a story about a woman having an affair with a cop. When officer Nathaniel Saint shows up at her cabin door, inspiration comes flooding back. Much like the character from Petra’s book, Saint is married, and he’s willing to be Petra’s muse, helping her get into her characters’ heads. Petra’s book is practically writing itself, but is the game she’s playing a little too dangerous? Does she know when to stop—and, more importantly, is Saint willing to stop? Hoover is no stranger to controversial movie adaptations and internet backlash, but she clarifies in a note to readers that she’s “just a writer writing about a writer” and that no further connections to her own life are contained in these pages—which is a good thing, because the book takes some horrifying twists and turns. Petra finds herself inexplicably attracted to Saint, even as she describes him as “such an asshole,” and her feelings for him veer between love and hate. The novel serves as a meta commentary on the dark romance genre—as Petra puts it, “Even though, as readers, we wouldn’t want to live out some of the fantasies we read about, it doesn’t mean we don’t enjoy reading those things.”
A dark and twisty look at just how far one woman is willing to go to find inspiration.Pub Date: Jan. 13, 2026
ISBN: 9781662539374
Page Count: -
Publisher: Montlake
Review Posted Online: Sept. 27, 2025
Kirkus Reviews Issue: Nov. 1, 2025
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