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THERE'S A HOLE IN THE LOG ON THE BOTTOM OF THE LAKE

A serviceable contribution to cumulative-song collections or surprise-ending collections.

A familiar cumulative folk song gets a mild tweak.

This time, the setting is a lake floor. “There’s a hole in the log on the bottom of the lake”; “There’s a frog in the hole in the log on the bottom of the lake”; and so on. It’s better sung than recited, and musical notation can be found at the end. On the frog is a hair (one corkscrew curl growing upward), and then a fly on the hair, and then a gnat on the fly. The underwater atmosphere is dark green, with brown, beige, and lighter greens. Long’s acrylic-and–colored-pencil illustrations are an odd mix of styles: The frog is cartoony, especially when grinning and licking its lips in anticipation of a fly-gnat feast, whereas members of a school of goldfish are delicate and luminescent. The climax is a sudden “uh-oh. Chomp, snap, gulp!”—with an intriguing partial ambiguity about exactly who gets chomped. Throughout, a tiny snail and turtle provide wry counterpoint to the verse’s formal structure. The turtle offers commentary, sometimes amusing (when the song uses the lyric “hole,” he asks, “A whole what? It just looks empty to me”), sometimes confusing (he punnily grumps that someone must be “too cool for school” when, at that moment, the accused snail is joining a school of fish), and slapstick humor (“Dial 911! Turtle on its back! Emergency! Turtle freaking out!”).

A serviceable contribution to cumulative-song collections or surprise-ending collections. (musical notation, song lyrics) (Picture book. 3-7)

Pub Date: Sept. 25, 2018

ISBN: 978-0-399-16399-9

Page Count: 40

Publisher: Philomel

Review Posted Online: July 29, 2018

Kirkus Reviews Issue: Aug. 15, 2018

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MEI MEI THE BUNNY

A reassuring riff on embracing imperfections.

A young rabbit frets about her upcoming violin performance in Icelandic singer-songwriter Laufey’s literary debut.

Mei Mei’s dream—“to share her music with the world”—is about to come true. She’s having her very first recital, complete with an orchestra, at the H’Opera House. But the day before the concert, Mei Mei is racked with anxiety. What if she plays a bum note in front of everyone? Sure enough, the worst happens mid-performance: She hits a clinker. But by remembering her mom’s reassuring sentiments from the night before (“Feel the wind…find the notes to make it right”), Mei Mei summons the strength to soldier on, and “wrong notes become right. Dissonance becomes beautiful.” At times, it all feels more like a resilience parable than a story, and the writing can be precious (“The flutter of butterflies wakes Mei Mei from her slumber”). Still, the message is solid, bolstered by O’Hara’s pencil and watercolor illustrations, which are plush-toy soft—fitting, as even prior to this book’s publication, a stuffed Mei Mei has been for sale at Grammy winner Laufey’s website. The tale features an all-animal, all-adorable cast, and endearingly, the art betrays no hint of modern times. A standout image presents Mei Mei onstage, temporarily incapacitated by her mistake and imagining her fellow musicians and their instruments with the color-blasted menace of an expressionist painting.

A reassuring riff on embracing imperfections. (author’s note, glossary) (Picture book. 3-7)

Pub Date: April 21, 2026

ISBN: 9798217051748

Page Count: 32

Publisher: Penguin Workshop

Review Posted Online: Jan. 19, 2026

Kirkus Reviews Issue: Feb. 15, 2026

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IT'S MY BIRD-DAY!

From the Pigeon series

Familiarity breeds a birthday for the ages in this party worth attending.

Don’t let the Pigeon ruin his own special day!

Anyone who has ever encountered the title character in any of his books—whether his first, Don’t Let the Pigeon Drive the Bus (2003), or one of its many sequels—will understand that the bird’s innate self-love drives his every interaction. Little wonder, then, that he’s thrilled about his own “bird-day.” He has the hat. He has his “FANCY PLUMAGE.” And, best of all, he will get to blow out a candle “on my bird-day hot dog!” As he revels in the knowledge that this day is all for him, comeuppance is lurking. Someone has already blown out the bird-day candle—and eaten half the hot dog. It turns out that the Pigeon’s frenemy, the Duckling, has the same bird-day—as do a slew of newly hatched chicks. The Pigeon’s obligatory eight-panel freakout ensues. “What am I—invisible? I just want to be seen,” he whimpers, and when he receives some much-needed reassurance, he settles down and willingly shares his special day. While the switch from unapologetic narcissism to mature acceptance happens in the record-breaking span of two pages, the book is as enchanting as the Pigeon’s earlier outings. Even as it walks in the footsteps of its predecessors, there’s no denying the fun to be had.

Familiarity breeds a birthday for the ages in this party worth attending. (Picture book. 3-6)

Pub Date: March 31, 2026

ISBN: 9781454999621

Page Count: 40

Publisher: Union Square Kids

Review Posted Online: Nov. 22, 2025

Kirkus Reviews Issue: Jan. 1, 2026

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