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THE QUEEN OF THE VALLEY

A juicy potboiler with a palpable sense of history.

Buried secrets, personal tragedies, and natural disasters unfold on a Colombian hacienda.

On April 7, 1925, a gala organized by Dr. Farid Manzur and Martin Sabater at Martin's Colombian cacao plantation turns dark when Martin rides off on horseback to give some guests a tour of the estate and never returns. Months later, María “Puri” Purificación arrives from Ecuador with her young assistant, Paco, her “guardian angel,” to visit Martin, an old friend and, unknown to him, the father of her young son. Tragedy strikes on two fronts. While riding in a landau to their destination, Puri and Paco are attacked by bandits who kill Paco. Shortly after, an earthquake temporarily puts Puri’s journey to see Martin—she still doesn’t know he’s missing—on hold. Though Hughes’ floridly written tale is grounded in history, she heightens anticipation by jumbling the narrative timeline and presenting the story in short chapters from the perspectives of three different first-person narrators. Puri, the resourceful heroine of Hughes’ novel The Spanish Daughter (2021), is joined by Farid’s sister Camila, a loving and compassionate nun but far from a submissive helpmeet, and Lucas, a womanizing outsider and old friend of Martin’s who reconnected with him shortly before the disappearance. Flashbacks illuminate Martin’s checkered past and his relationships to the three narrators, while the present-day plot follows Farid’s attempt to gain control of Martin’s estate and folds in a handful of other backstories against the backdrop of a cholera epidemic that sweeps through the region following the earthquake.

A juicy potboiler with a palpable sense of history.

Pub Date: Aug. 22, 2023

ISBN: 9781496736284

Page Count: 352

Publisher: Kensington

Review Posted Online: June 8, 2023

Kirkus Reviews Issue: July 1, 2023

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BURY OUR BONES IN THE MIDNIGHT SOIL

A beautiful meditation on queer identity against a supernatural backdrop.

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Three women deal very differently with vampirism in Schwab’s era-spanning follow-up to The Invisible Life of Addie LaRue (2020).

In 16th-century Spain, Maria seduces a wealthy viscount in an attempt to seize whatever control she can over her own life. It turns out that being a wife—even a wealthy one—is just another cage, but then a mysterious widow offers Maria a surprising escape route. In the 19th century, Charlotte is sent from her home in the English countryside to live with an aunt in London when she’s found trying to kiss her best friend. She’s despondent at the idea of marrying a man, but another mysterious widow—who has a secret connection to Maria’s widow from centuries earlier—appears and teaches Charlotte that she can be free to love whomever she chooses, if she’s brave enough. In 2019, Alice’s memories of growing up in Scotland with her mercurial older sister, Catty, pull her mind away from her first days at Harvard University. And though she doesn’t meet any mysterious widows, Alice wakes up alone after a one-night stand unable to tolerate sunlight, sporting two new fangs, and desperate to drink blood. Horrified at her transformation, she searches Boston for her hookup, who was the last person she remembers seeing before she woke up as a vampire. Schwab delicately intertwines the three storylines, which are compelling individually even before the reader knows how they will connect. Maria, Charlotte, and Alice are queer women searching for love, recognition, and wholeness, growing fangs and defying mortality in a world that would deny them their very existence. Alice’s flashbacks to Catty are particularly moving, and subtly play off themes of grief and loneliness laid out in the historical timelines.

A beautiful meditation on queer identity against a supernatural backdrop.

Pub Date: June 10, 2025

ISBN: 9781250320520

Page Count: 544

Publisher: Tor

Review Posted Online: March 22, 2025

Kirkus Reviews Issue: April 15, 2025

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THE NIGHTINGALE

Still, a respectful and absorbing page-turner.

Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.

In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.

Still, a respectful and absorbing page-turner.

Pub Date: Feb. 3, 2015

ISBN: 978-0-312-57722-3

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Nov. 19, 2014

Kirkus Reviews Issue: Dec. 1, 2014

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