A steamy trio of rom-com stories that is best savored slowly.
When a summer heat wave in New York City causes an extended blackout, three friends each find herself stuck with the last person she anticipated.
Best friends Ria Preston, Vanessa Ríos, and Alison Cahill have a plan: They'll beat the heat by fleeing the city for a much-needed girls trip. All they have to do is make it through the next few hours of their respective evenings. Art restorer Ria is attending a benefit at the Met, theater critic Vanessa is taking a front-row seat at a Broadway play, and Alison has a scheme to throw a wrench or two into an aspiring magician's act. But there are unforeseen complications to events that would otherwise go off without a hitch, including the plot twist of a sudden blackout that rolls through Manhattan and leaves them each stranded with an unexpected party. For Ria, it's the chance to finally get to know her longtime crush, Wall Street consultant Vic Albright, the man she's always admired from a distance but has been too shy to approach. Vanessa is forced to confront someone from her past—actor Mateo Garza—whose career faltered after she gave his last play a bad review. And Alison's connection to magician Nicholas Finn runs much deeper than the rest of his audience realizes—years ago, in college, he broke her heart, and she's never fully moved on. The conceit of a blackout offers a delicious forced-proximity element to each novella, although the friendship throughline is somewhat weakened by taking place through only a handful of text-based interactions. Ultimately, the romance is where these stories truly ignite, with varying levels of angst and heat.
A steamy trio of rom-com stories that is best savored slowly.Pub Date: May 25, 2021
ISBN: 978-1-4967-3267-5
Page Count: 320
Publisher: Kensington
Review Posted Online: March 2, 2021
Kirkus Reviews Issue: March 15, 2021
Haphazard and undemanding.
A sports agent’s first official client is the man she dumped years ago in college.
After two years of hard work as an underling, Nora Mackenzie is finally being promoted to full-time sports agent. She’s worked hard, kept quiet, and allowed men in the office to call her Mac—a nickname she hates—all to show she’s a team player and “one of the guys.” Unfortunately, her boss instructs her to sign Derek Pender, a football player coming off an injury, who happens to be the man she heartlessly dumped in their senior year of college. Derek signs with her for revenge, seeing it as his opportunity to pay Nora back for callously breaking his heart eight years earlier. He insists she be at his beck and call: answering his emails, running his errands, cooking dinner for his dates. He also refuses to let her explain why she broke up with him without warning or explanation. Nora feels she has no choice but to acquiesce to Derek’s humiliating demands, since she’s worked too hard to let him ruin her dream job. She hopes he’ll thaw and they might become friends, but Derek’s bad behavior is designed to hide the fact that he’s still in love with her. Nora’s characterization is uneven, veering between anger at how she’s treated in the male-dominated field to immature bickering and bantering with Derek. Although Adams likely meant for Derek and Nora’s interactions to have an enemies-to-lovers vibe, the characters instead seem juvenile and stuck in the past. The novel is fueled by a string of tropes—second chance romance! married in Vegas! only one bed!—each randomly deployed to keep the book going despite thin characterization and wan plotting.
Haphazard and undemanding.Pub Date: April 2, 2024
ISBN: 9780593723678
Page Count: 368
Publisher: Dell
Review Posted Online: Jan. 5, 2024
Kirkus Reviews Issue: Feb. 1, 2024
BOOK REVIEW
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.
The sequel to It Ends With Us (2016) shows the aftermath of domestic violence through the eyes of a single mother.
Lily Bloom is still running a flower shop; her abusive ex-husband, Ryle Kincaid, is still a surgeon. But now they’re co-parenting a daughter, Emerson, who's almost a year old. Lily won’t send Emerson to her father’s house overnight until she’s old enough to talk—“So she can tell me if something happens”—but she doesn’t want to fight for full custody lest it become an expensive legal drama or, worse, a physical fight. When Lily runs into Atlas Corrigan, a childhood friend who also came from an abusive family, she hopes their friendship can blossom into love. (For new readers, their history unfolds in heartfelt diary entries that Lily addresses to Finding Nemo star Ellen DeGeneres as she considers how Atlas was a calming presence during her turbulent childhood.) Atlas, who is single and running a restaurant, feels the same way. But even though she’s divorced, Lily isn’t exactly free. Behind Ryle’s veneer of civility are his jealousy and resentment. Lily has to plan her dates carefully to avoid a confrontation. Meanwhile, Atlas’ mother returns with shocking news. In between, Lily and Atlas steal away for romantic moments that are even sweeter for their authenticity as Lily struggles with child care, breastfeeding, and running a business while trying to find time for herself.
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.Pub Date: Oct. 18, 2022
ISBN: 978-1-668-00122-6
Page Count: 352
Publisher: Atria
Review Posted Online: July 26, 2022
Kirkus Reviews Issue: Aug. 15, 2022
SEEN & HEARD
SEEN & HEARD
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