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BIRDS OF A FEATHER

A TRUE STORY OF HOPE AND THE HEALING POWER OF ANIMALS

A powerful story of dedicated service to abandoned birds and veterans and how bringing them together helped save them all.

Parrots and military veterans bond and heal each other.

Abused and abandoned parrots are fairly common in the United States. People purchase them for pets without understanding the challenges: They are large, noisy, need plenty of space to fly and forage, want to be with other parrots, and can live more than 50 years. When Lindner fell in love with an abused Moluccan cockatoo she named Sammy, she started on a journey that changed her life. After Sammy, she adopted Mango, another abused cockatoo. At the time, the author was working as a clinical psychologist and also began helping homeless veterans suffering from PTSD. When the veterans were introduced to the parrots and began speaking to them when no one was watching, Lindner had an epiphany. She realized the parrots had fewer emotional problems around the vets, and the men and women with PTSD were much calmer and more capable of handling their stress. So the author decided to start a parrot sanctuary where vets could work with and care for the birds. After much work and many years, Serenity Park was born, built on the grounds of the LA Veterans Administration Healthcare Center. Lindner pleasingly blends the stories of several out-of-luck veterans with those of the abused birds as well as facts and information about the care and maintenance of parrots. She also shares the story of her love for one of the men she helped who has worked with Lindner at Serenity Park for many years. Her story of dedication to the birds she loves and to the men and women she has helped is encouraging and uplifting. Bird lovers, in particular, will enjoy the descriptions of the parrots she saves, each with his or her own unique personality.

A powerful story of dedicated service to abandoned birds and veterans and how bringing them together helped save them all.

Pub Date: June 5, 2018

ISBN: 978-1-250-13263-5

Page Count: 240

Publisher: St. Martin's

Review Posted Online: April 2, 2018

Kirkus Reviews Issue: April 15, 2018

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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I AM OZZY

An autobiography as toxic and addictive as any drug its author has ever ingested.

The legendary booze-addled metal rocker turned reality-TV star comes clean in his tell-all autobiography.

Although brought up in the bleak British factory town of Aston, John “Ozzy” Osbourne’s tragicomic rags-to-riches tale is somehow quintessentially American. It’s an epic dream/nightmare that takes him from Winson Green prison in 1966 to a presidential dinner with George W. Bush in 2004. Tracing his adult life from petty thief and slaughterhouse worker to rock star, Osbourne’s first-person slang-and-expletive-driven style comes off like he’s casually relating his story while knocking back pints at the pub. “What you read here,” he writes, “is what dribbled out of the jelly I call my brain when I asked it for my life story.” During the late 1960s his transformation from inept shoplifter to notorious Black Sabbath frontman was unlikely enough. In fact, the band got its first paying gigs by waiting outside concert venues hoping the regularly scheduled act wouldn’t show. After a few years, Osbourne and his bandmates were touring America and becoming millionaires from their riff-heavy doom music. As expected, with success came personal excess and inevitable alienation from the other members of the group. But as a solo performer, Osbourne’s predilection for guns, drink, drugs, near-death experiences, cruelty to animals and relieving himself in public soon became the stuff of legend. His most infamous exploits—biting the head off a bat and accidentally urinating on the Alamo—are addressed, but they seem tame compared to other dark moments of his checkered past: nearly killing his wife Sharon during an alcohol-induced blackout, waking up after a bender in the middle of a busy highway, burning down his backyard, etc. Osbourne is confessional to a fault, jeopardizing his demonic-rocker reputation with glib remarks about his love for Paul McCartney and Robin Williams. The most distinguishing feature of the book is the staggering chapter-by-chapter accumulation of drunken mishaps, bodily dysfunctions and drug-induced mayhem over a 40-plus-year career—a résumé of anti-social atrocities comparable to any of rock ’n’ roll’s most reckless outlaws.

An autobiography as toxic and addictive as any drug its author has ever ingested.

Pub Date: Jan. 25, 2010

ISBN: 978-0-446-56989-7

Page Count: 320

Publisher: Grand Central Publishing

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 1, 2009

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