Perfectly captures these few weeks at the end of 1963—all that was lost and all that lay tantalizingly and inevitably just...
As a shocked nation mourns the assassination of John F. Kennedy, two lost souls looking for a new chance at life find each other along the wide-open Western highways.
In Berney’s (The Long and Faraway Gone, 2015, etc.) latest, Frank Guidry’s skills have made him an invaluable part of Carlos Marcello’s illegal New Orleans empire, but they don’t protect him when he becomes a loose end. On the run and struggling to stay one step ahead of a terrifyingly proficient hit man, Frank meets Charlotte Roy and her two daughters. Charlotte has made the impulsive decision to leave her alcoholic husband and her claustrophobic hometown and start a new life in California when she runs her car into a ditch. With a well-honed sense of self-preservation, Frank realizes that traveling as a man with a family would be the perfect cover, so he skillfully manipulates himself into the role of savior. As he and Charlotte begin to care for each other, Frank has to decide whether he can safely take her and the girls with him on his escape. Charlotte, for her part, is no delicate flower; she’ll do whatever it takes to provide opportunities for her daughters to grow up as strong, independent women. Any novel that invokes the era following the death of JFK inevitably illustrates the moment our country’s zeitgeist changed. The 1960s, of course, were rife with revolution and change, from music to relations between men and women to the start of the Vietnam War. Berney’s gentle, descriptive writing brilliantly reflects these times of both disillusionment and hope. The men in the novel, including Frank and Barone, the hit man, also symbolize the Romantic notion of a time that has come to an end. As the title suggests, there is an autumnal, melancholic sense of loss at the heart of the novel, yet still, the loss is not destructive or debilitating. It is the kind of loss that gives way to a new world order.
Perfectly captures these few weeks at the end of 1963—all that was lost and all that lay tantalizingly and inevitably just beyond the horizon.Pub Date: Oct. 9, 2018
ISBN: 978-0-06-266384-9
Page Count: 320
Publisher: Morrow/HarperCollins
Review Posted Online: July 16, 2018
Kirkus Reviews Issue: Aug. 1, 2018
BOOK REVIEW
BOOK REVIEW
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.
Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.
A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.Pub Date: March 17, 2020
ISBN: 978-1-9821-3888-2
Page Count: 352
Publisher: Scribner
Review Posted Online: Dec. 22, 2019
Kirkus Reviews Issue: Jan. 15, 2020
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.
Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.
Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.Pub Date: April 24, 2018
ISBN: 978-1-5011-5464-5
Page Count: 368
Publisher: Atria
Review Posted Online: Feb. 5, 2018
Kirkus Reviews Issue: Feb. 15, 2018
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