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KILLER'S CHOICE

The major lesson learned here is that Begley's crime series has run its course and was an ill-advised detour from its...

Hard-boiled meets high society in a novel of unspeakable horror among the unspeakably wealthy.

In the third (Kill and Be Killed, 2016, etc.) in a series of thrillers featuring Jack Dana—Marine hero–turned–bestselling novelist with a sideline of fighting high-level corruption—Begley continues to fall short of the incisive craftsmanship that earned him acclaim with more-literary novels such as About Schmidt (1996). Having dispensed with an evil nemesis at the end of Volume 2, Begley doesn’t even bother with a plausible successor or much of a plot. Instead, this is more of a wildly implausible addendum to the last novel, one in which Dana rationally realizes that “dead men don’t send messages or stage macabre Punch-and-Judy shows,” but he nevertheless finds himself enveloped within a scenario that seems masterminded from the grave. For those who missed the first two installments, the author provides recaps of every significant plot point while reintroducing stock characters such as the Asian manservant Feng, a “former member of the Hong Kong Police Force Special Duty Unit,” who would lay down his life for his boss and who is also a gourmet cook who makes a mean martini and is “the picture of Asiatic propriety.” Jack’s girlfriend is the international-lawyer daughter of a billionaire tycoon, not much interested in men until the comfort she found in Jack’s cuddling led to more. A household massacre that reminds everyone of Charles Manson, only worse, proceeds to extortion plots and kidnapping, all apparently designed to flush Jack from his lair of safety. But for what reason? To what end? Jack determines that it is he who will flush them out: “If these people want to have a go at me, let them. I may be able to teach them a lesson.”

The major lesson learned here is that Begley's crime series has run its course and was an ill-advised detour from its inception.

Pub Date: Aug. 13, 2019

ISBN: 978-0-385-54494-8

Page Count: 240

Publisher: Nan A. Talese

Review Posted Online: May 12, 2019

Kirkus Reviews Issue: June 1, 2019

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CIRCE

Miller makes Homer pertinent to women facing 21st-century monsters.

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A retelling of ancient Greek lore gives exhilarating voice to a witch.

“Monsters are a boon for gods. Imagine all the prayers.” So says Circe, a sly, petulant, and finally commanding voice that narrates the entirety of Miller’s dazzling second novel. The writer returns to Homer, the wellspring that led her to an Orange Prize for The Song of Achilles (2012). This time, she dips into The Odyssey for the legend of Circe, a nymph who turns Odysseus’ crew of men into pigs. The novel, with its distinctive feminist tang, starts with the sentence: “When I was born, the name for what I was did not exist.” Readers will relish following the puzzle of this unpromising daughter of the sun god Helios and his wife, Perse, who had negligible use for their child. It takes banishment to the island Aeaea for Circe to sense her calling as a sorceress: “I will not be like a bird bred in a cage, I thought, too dull to fly even when the door stands open. I stepped into those woods and my life began.” This lonely, scorned figure learns herbs and potions, surrounds herself with lions, and, in a heart-stopping chapter, outwits the monster Scylla to propel Daedalus and his boat to safety. She makes lovers of Hermes and then two mortal men. She midwifes the birth of the Minotaur on Crete and performs her own C-section. And as she grows in power, she muses that “not even Odysseus could talk his way past [her] witchcraft. He had talked his way past the witch instead.” Circe’s fascination with mortals becomes the book’s marrow and delivers its thrilling ending. All the while, the supernatural sits intriguingly alongside “the tonic of ordinary things.” A few passages coil toward melodrama, and one inelegant line after a rape seems jarringly modern, but the spell holds fast. Expect Miller’s readership to mushroom like one of Circe’s spells.

Miller makes Homer pertinent to women facing 21st-century monsters.

Pub Date: April 10, 2018

ISBN: 978-0-316-55634-7

Page Count: 400

Publisher: Little, Brown

Review Posted Online: Jan. 22, 2018

Kirkus Reviews Issue: Feb. 1, 2018

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IF CATS DISAPPEARED FROM THE WORLD

Jonathan Livingston Kitty, it’s not.

A lonely postman learns that he’s about to die—and reflects on life as he bargains with a Hawaiian-shirt–wearing devil.

The 30-year-old first-person narrator in filmmaker/novelist Kawamura’s slim novel is, by his own admission, “boring…a monotone guy,” so unimaginative that, when he learns he has a brain tumor, the bucket list he writes down is dull enough that “even the cat looked disgusted with me.” Luckily—or maybe not—a friendly devil, dubbed Aloha, pops onto the scene, and he’s willing to make a deal: an extra day of life in exchange for being allowed to remove something pleasant from the world. The first thing excised is phones, which goes well enough. (The narrator is pleasantly surprised to find that “people seemed to have no problem finding something to fill up their free time.”) But deals with the devil do have a way of getting complicated. This leads to shallow musings (“Sometimes, when you rewatch a film after not having seen it for a long time, it makes a totally different impression on you than it did the first time you saw it. Of course, the movie hasn’t changed; it’s you who’s changed") written in prose so awkward, it’s possibly satire (“Tears dripped down onto the letter like warm, salty drops of rain”). Even the postman’s beloved cat, who gains the power of speech, ends up being prim and annoying. The narrator ponders feelings about a lost love, his late mother, and his estranged father in a way that some readers might find moving at times. But for many, whatever made this book a bestseller in Japan is going to be lost in translation.

Jonathan Livingston Kitty, it’s not.

Pub Date: March 12, 2019

ISBN: 978-1-250-29405-0

Page Count: 176

Publisher: Flatiron Books

Review Posted Online: Feb. 16, 2019

Kirkus Reviews Issue: March 1, 2019

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