An affecting portrayal of the spirited nature of Hong Kong and the many challenges it faces.
The latest eye-opening journalistic account of the ongoing tumult in Hong Kong.
Journalist Lim, the author of The People’s Republic of Amnesia: Tiananmen Revisited, examines the unrest in terms of dominion, possession, and defiance. “The issue of belonging,” she writes, “has always been a complicated one for me, as a half-English, half-Chinese person who was born in England but brought up in Hong Kong.” Now living and teaching in Melbourne, Lim writes, “my position on the sidelines liberates me to write more openly than others” about the vibrant, defiant spirit of the citizens, especially since the passage of the China-enforced National Security Law. The author’s determined, methodical chronicle captures her growing unease and complex thoughts about joining the ranks of the activists and dissidents. “Overnight,” she writes, “a mostly free society had become an authoritarian one.” With the freedom of the press (and the internet) severely restricted, police are targeting reporters. Lim returns often to the tragic life and exceptional work of Tsang Tsou-choi (1921-2007), a once-homeless Hong Kong artist. Nicknamed “the King of Kowloon,” he would use “misshapen, childlike calligraphy” to create graffiti asserting his grievance that he had been robbed of his ancestral land, and he became famous as a personification of Hong Kong citizens’ sense of dispossession after the handover by Britain in 1997. Throughout this smooth mixture of reportage and memoir, Lim ably captures the increasingly malignant actions by the Communist Party, which have become more alarming by the day. “The days and nights,” she writes, “were melding into a single livestream of tear gas, deployed with horrifying and mesmerizing beauty….By the end of 2019, the police had fired sixteen thousand rounds of tear gas, violating both their own guidelines and the Chemical Weapons Convention.” This book is a good complement to Karen Cheung’s The Impossible City.
An affecting portrayal of the spirited nature of Hong Kong and the many challenges it faces.Pub Date: April 19, 2022
ISBN: 978-0-593-19181-1
Page Count: 320
Publisher: Riverhead
Review Posted Online: Jan. 17, 2022
Kirkus Reviews Issue: Feb. 15, 2022
BOOK REVIEW
A smart, rewarding consideration of football’s popularity—and eventual downfall.
A wide-ranging writer on his football fixation.
Is our biggest spectator sport “a practical means for understanding American life”? Klosterman thinks so, backing it up with funny, thought-provoking essays about TV coverage, ethical quandaries, and the rules themselves. Yet those who believe it’s a brutal relic of a less enlightened era need only wait, “because football is doomed.” Marshalling his customary blend of learned and low-culture references—Noam Chomsky, meet AC/DC—Klosterman offers an “expository obituary” of a game whose current “monocultural grip” will baffle future generations. He forecasts that economic and social forces—the NFL’s “cultivation of revenue,” changes in advertising, et al.—will end its cultural centrality. It’s hard to imagine a time when “football stops and no one cares,” but Klosterman cites an instructive precedent. Horse racing was broadly popular a century ago, when horses were more common in daily life. But that’s no longer true, and fandom has plummeted. With youth participation on a similar trajectory, Klosterman foresees a time when fewer people have a personal connection to football, rendering it a “niche” pursuit. Until then, the sport gives us much to consider, with Klosterman as our well-informed guide. Basketball is more “elegant,” but “football is the best television product ever,” its breaks between plays—“the intensity and the nothingness,” à la Sartre—provide thrills and space for reflection or conversation. For its part, the increasing “intellectual density” of the game, particularly for quarterbacks, mirrors a broader culture marked by an “ongoing escalation of corporate and technological control.” Klosterman also has compelling, counterintuitive takes on football gambling, GOAT debates, and how one major college football coach reminds him of “Laura Ingalls Wilder’s much‑loved Little House novels.” A beloved sport’s eventual death spiral has seldom been so entertaining.
A smart, rewarding consideration of football’s popularity—and eventual downfall.Pub Date: Jan. 20, 2026
ISBN: 9780593490648
Page Count: 304
Publisher: Penguin Press
Review Posted Online: Oct. 24, 2025
Kirkus Reviews Issue: Dec. 1, 2025
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
BOOK REVIEW
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