Wise, funny, and wonderfully odd.
An unusual offering from a celebrated poet.
Poet Laureate of the United States in 2003-2004 and winner of the 2020 Nobel Prize in literature, Glück is known for—among other things—choosing her words with exquisite care. She uses everyday language to create a background for an unexpected word, and she uses context to give everyday language unexpected weight. In her latest work, she explores the acquisition of language and how it shapes our realities. Marigold and Rose are babies. They are also twins. The limits of their world would be entirely defined by Mother, Father, and Grandmother if Marigold didn’t like to read. Rose is not, herself, very interested in books, but she has a ready retort for the narrator who says, “Marigold was still reading. Of course she wasn’t reading; neither of the twins could read; they were babies. But we have inner lives, Rose thought.” In addition to being an avid reader—even though she obviously can’t read—Marigold is also a writer. “Marigold was writing a book. That she couldn’t read was an impediment. Nevertheless, the book was forming in her head. The words would come later.” Like all babies, Marigold and Rose understand more than they can easily express, and the author imbues her protagonists with a rationalism that feels as true as it is funny. Glück calls this new book “a fiction,” and that is a precisely vague choice. It’s too short to be a novel and too long to be a short story. The word novella tends to suggest plot, which this text lacks. It’s tempting to suggest that it’s a fable, and it’s true that some readers might find a straightforward meaning in how Glück differentiates her characters. Rose—the sociable one, the pretty one—is the “good baby.” Marigold turns to books because—like animals—they don’t judge her. But life is weird. Words are magic. And the moral of the story is seldom as simple as it might seem.
Wise, funny, and wonderfully odd.Pub Date: Oct. 11, 2022
ISBN: 978-0-374-60758-6
Page Count: 64
Publisher: Farrar, Straus and Giroux
Review Posted Online: Aug. 5, 2022
Kirkus Reviews Issue: Sept. 1, 2022
BOOK REVIEW
BOOK REVIEW
IN THE NEWS
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
SEEN & HEARD
A pleasant if not entirely convincing tribute to the power of art.
A French art historian’s English-language fiction debut combines the story of a loving relationship between a grandfather and granddaughter with an enlightening discussion of art.
One day, when 10-year-old Mona removes the necklace given to her by her now-dead grandmother, she experiences a frightening, hour-long bout of blindness. Her parents take her to the doctor, who gives her a variety of tests and also advises that she see a psychiatrist. Her grandfather Henry tells her parents that he will take care of that assignment, but instead, he takes Mona on weekly visits to either the Louvre, the Musée d’Orsay, or the Centre Pompidou, where each week they study a single work of art, gazing at it deeply and then discussing its impact and history and the biography of its maker. For the reader’s benefit, Schlesser also describes each of the works in scrupulous detail. As the year goes on, Mona faces the usual challenges of elementary school life and the experiences of being an only child, and slowly begins to understand the causes of her temporary blindness. Primarily an amble through a few dozen of Schlesser’s favorite works of art—some well known and others less so, from Botticelli and da Vinci through Basquiat and Bourgeois—the novel would probably benefit from being read at a leisurely pace. While the dialogue between Henry and the preternaturally patient and precocious Mona sometimes strains credulity, readers who don’t have easy access to the museums of Paris may enjoy this vicarious trip in the company of a guide who focuses equally on that which can be seen and the context that can’t be. Come for the novel, stay for the introductory art history course.
A pleasant if not entirely convincing tribute to the power of art.Pub Date: Aug. 26, 2025
ISBN: 9798889661115
Page Count: 432
Publisher: Europa Editions
Review Posted Online: June 7, 2025
Kirkus Reviews Issue: July 15, 2025
SEEN & HEARD
SEEN & HEARD
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