by Loung Ung ‧ RELEASE DATE: April 17, 2012
Ung's writing is clear-headed, honest and compelling; much of what she describes, from the brutalities she and her family...
The third memoir in a trilogy about processing and moving past the trauma of surviving the Cambodian genocide.
Activist Ung (Lucky Child, 2006, etc.) wrote two previous well-received chronicles of her stint as a child soldier serving the Khmer Rouge. She lost most of her family to the killing fields, built a new life as a refugee in Vermont and reunited with a sister who was abandoned in Cambodia. This book chronicles the next chapter of her life, the decade that began with her time in college. At age 20 she fell in love with Mark, a wholesome, optimistic Midwesterner. The author gives a significant amount of attention to their courtship and eventual successful marriage. Even the magic of their romance, however, couldn’t negate her almost-daily struggles with depression and residual post-traumatic stress. Mark's sunniness, which originally drew her to him, became a source of resentment, but she ultimately recognized as positive her husband's capacity to love without fear. The title is a combination of Ung's nickname, Lulu, and the Beatles' song, and its implicit optimism reflects a theme running through the author’s life. "People will always die," an aunt told her, "but we have to continue to live. Live, eat, and love." After college, she and Mark moved to Washington, D.C., where she began her lifelong work as an activist. The book closes with another return trip to Cambodia in 2000.
Ung's writing is clear-headed, honest and compelling; much of what she describes, from the brutalities she and her family endured to the ways it steered her adult life, is deeply affecting.Pub Date: April 17, 2012
ISBN: 978-0-06-209191-8
Page Count: 368
Publisher: Perennial/HarperCollins
Review Posted Online: Feb. 28, 2012
Kirkus Reviews Issue: March 15, 2012
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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