McCann conveys the remarkable heroism of Tryszynska-Frederick, a young Jewish nurse imprisoned in the Nazi concentration camp. Luba’s emotional strength, bravery, and determination in the winter of 1944 saved 54 abandoned, starving, and cold Dutch children from their impending death, as she hid them in her barracks for the duration of the war and used her ingenuity and a lot of luck to beg, borrow, and steal food. McCann recounts in lucid narrative prose, with the inclusion of some dialogue, the events and hushed drama as related to her by the real Luba. Well-crafted, this includes a brief introduction and post-script to the Nazi concentration camps and WWII, an epilogue depicting Luba’s official Amsterdam recognition with photographs from the liberation of the camp and a 1995 reunion, and a thorough bibliography of books, articles, film, Web sites, personal letters, and interviews. Realistic oil paintings with collage reflect the darkness of the period and the terrifyingly dangerous environment amid the loving concern within the concealed group. One of the beautiful, positive stories that emerged from that awful time, to be remembered and passed on to young and old alike. (author’s note, including children’s names) (Picture book. 7-12)
Pub Date: Oct. 1, 2003
ISBN: 1-58246-098-1
Page Count: 48
Publisher: Tricycle
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 1, 2003
Strong rhythms and occasional full or partial rhymes give this account of P.T. Barnum’s 1884 elephant parade across the newly opened Brooklyn Bridge an incantatory tone. Catching a whiff of public concern about the new bridge’s sturdiness, Barnum seizes the moment: “’I will stage an event / that will calm every fear, erase every worry, / about that remarkable bridge. / My display will amuse, inform / and astound some. / Or else my name isn’t Barnum!’” Using a rich palette of glowing golds and browns, Roca imbues the pachyderms with a calm solidity, sending them ambling past equally solid-looking buildings and over a truly monumental bridge—which soars over a striped Big Top tent in the final scene. A stately rendition of the episode, less exuberant, but also less fictionalized, than Phil Bildner’s Twenty-One Elephants (2004), illustrated by LeUyen Pham. (author’s note, resource list) (Picture book. 7-9)
Pub Date: Sept. 26, 2005
ISBN: 0-618-44887-X
Page Count: 32
Publisher: Houghton Mifflin
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 2005
Spinning lively invented details around skimpy historical records, Taylor profiles the 19th-century chef credited with inventing the potato chip. Crum, thought to be of mixed Native-American and African-American ancestry, was a lover of the outdoors, who turned cooking skills learned from a French hunter into a kitchen job at an upscale resort in New York state. As the story goes, he fried up the first batch of chips in a fit of pique after a diner complained that his French fries were cut too thickly. Morrison’s schoolroom, kitchen and restaurant scenes seem a little more integrated than would have been likely in the 1850s, but his sinuous figures slide through them with exaggerated elegance, adding a theatrical energy as delicious as the snack food they celebrate. The author leaves Crum presiding over a restaurant (also integrated) of his own, closes with a note separating fact from fiction and also lists her sources. (Picture book/nonfiction. 7-9)
Pub Date: April 1, 2006
ISBN: 1-58430-255-0
Page Count: 32
Publisher: Lee & Low Books
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 2006
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