Swings for the fences, makes it at least to third. Franzen/Roth/Irving comparisons earned and deserved.
A missing teenager is at the center of a densely populated plot that bobs, weaves, and levitates around a boxing gym in Austin, Texas, from 1998 to 2014.
Perhaps not since Nathan Hill’s The Nix (2016) have we seen a debut as hugely ambitious as this one, pulling out all the stops to tell a unique version of the American story. Though there are more characters, more subplots, and just plain more than can be outlined here, the novel revolves around a miserable 16-year-old nudnik named Nathaniel Rothstein of Newton, Massachusetts, who’s sent to live with his Uncle Bob in Austin for the summer of 1998. Bob gets him a volunteer job at a rehab center with a friend of his from Terry Tucker’s Boxing Gym, a charismatic Haitian immigrant named David Dalice. David becomes a mentor to the boy, intent on furthering his worldly education with lectures on matters such as “Have you ever licked the sweetness?” Nathaniel channels this inspiration into an obsession with “Sasha,” the voice on the other end of a 1-900 phone sex hotline of which he becomes a daily devotee. But one day in August, Nathaniel goes out and doesn’t come back. In the course of finding out what happened to him, we will meet many, many people: a rookie female cop; a Playboy-model-turned-beautician and her unhappily gendered teenage son (who has just changed from Charles Rex to “X”); various denizens of the boxing gym, including an unhoused man who’s allowed to bunk there and his twin, literally an evil clown; and a depressed woman in the rehab who is rediscovering her Italian American identity. Identity: There’s a good place to stop, as it is the unifying theme of the entire 500-pound gorilla. Schaefer, who’s white, is bold in his approach to issues of Blackness and whiteness, and has invented a truly wild plot in service of exploring them. He is equally fearless in writing about gender and sex. And the solution to the mystery is a trip and a half.
Swings for the fences, makes it at least to third. Franzen/Roth/Irving comparisons earned and deserved.Pub Date: June 3, 2025
ISBN: 9781668030707
Page Count: 496
Publisher: Simon & Schuster
Review Posted Online: April 4, 2025
Kirkus Reviews Issue: May 1, 2025
A beautiful meditation on queer identity against a supernatural backdrop.
Three women deal very differently with vampirism in Schwab’s era-spanning follow-up to The Invisible Life of Addie LaRue (2020).
In 16th-century Spain, Maria seduces a wealthy viscount in an attempt to seize whatever control she can over her own life. It turns out that being a wife—even a wealthy one—is just another cage, but then a mysterious widow offers Maria a surprising escape route. In the 19th century, Charlotte is sent from her home in the English countryside to live with an aunt in London when she’s found trying to kiss her best friend. She’s despondent at the idea of marrying a man, but another mysterious widow—who has a secret connection to Maria’s widow from centuries earlier—appears and teaches Charlotte that she can be free to love whomever she chooses, if she’s brave enough. In 2019, Alice’s memories of growing up in Scotland with her mercurial older sister, Catty, pull her mind away from her first days at Harvard University. And though she doesn’t meet any mysterious widows, Alice wakes up alone after a one-night stand unable to tolerate sunlight, sporting two new fangs, and desperate to drink blood. Horrified at her transformation, she searches Boston for her hookup, who was the last person she remembers seeing before she woke up as a vampire. Schwab delicately intertwines the three storylines, which are compelling individually even before the reader knows how they will connect. Maria, Charlotte, and Alice are queer women searching for love, recognition, and wholeness, growing fangs and defying mortality in a world that would deny them their very existence. Alice’s flashbacks to Catty are particularly moving, and subtly play off themes of grief and loneliness laid out in the historical timelines.
A beautiful meditation on queer identity against a supernatural backdrop.Pub Date: June 10, 2025
ISBN: 9781250320520
Page Count: 544
Publisher: Tor
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
PERSPECTIVES
PERSPECTIVES
Uneven but fitfully amusing.
Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.
Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.
Uneven but fitfully amusing.Pub Date: July 30, 2024
ISBN: 9781250899576
Page Count: 384
Publisher: Henry Holt
Review Posted Online: Sept. 13, 2024
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
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