Heavily erotic, lightly plotted: a lover’s confection, with a certain sweetness but little sustenance.
His penchant intact for turning familiar landscapes into alien zones, the newest from Shepard (Kalimantan, 1992; The Ends Of The Earth, 1991; etc.) offers a hurricane-tweaked vision of Florida, where two ex-lovers find themselves together again, free to do what comes naturally until the weather clears.
The hurricane in this case doesn’t damage anything in Piersall, the coastal town where journalist Russell and professor Kay independently seek refuge. It merely knocks out communications and roads, while dropping a curtain of fog around the place so that Kay and Russell can have some privacy. The two accept their fate readily enough, and after a six-year separation (due to Kay’s being married), they end their first walk together by frolicking naked in the warm, inexplicably calm Gulf waters. After that, though they change their accommodations twice in search of better ambience, the drill is essentially the same: ecstatic sex punctuated by walks and trips to Denny's. Joined below the hip and gazing soulfully into each other’s eyes, they return to their previous state of bliss, but also to the reality that separated them before. Kay is unhappily mated but feels obligated to stay with her husband even though she longs to be with Russell. As the halcyon days pass and their intimacy knows no bounds, however, the two begin to consider alternatives. When Russell, on an early-morning stroll, happens upon a couple of crackers fishing for “the big one,” they give him the advice he needs for breaking the impasse with Kay. By the time he and she take tender leave to resume life beyond Piersall, they have a happily-ever-after plan—yet months later, as Valentine’s Day draws near, the plan still remains to be acted on.
Heavily erotic, lightly plotted: a lover’s confection, with a certain sweetness but little sustenance.Pub Date: Feb. 14, 2002
ISBN: 1-56858-215-3
Page Count: 208
Publisher: N/A
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Nov. 15, 2001
The story's very ambiguity steadily feeds its mysteriousness and power, and Danielewski's mastery of postmodernist and...
An amazingly intricate and ambitious first novel - ten years in the making - that puts an engrossing new spin on the traditional haunted-house tale.
Texts within texts, preceded by intriguing introductory material and followed by 150 pages of appendices and related "documents" and photographs, tell the story of a mysterious old house in a Virginia suburb inhabited by esteemed photographer-filmmaker Will Navidson, his companion Karen Green (an ex-fashion model), and their young children Daisy and Chad. The record of their experiences therein is preserved in Will's film The Davidson Record - which is the subject of an unpublished manuscript left behind by a (possibly insane) old man, Frank Zampano - which falls into the possession of Johnny Truant, a drifter who has survived an abusive childhood and the perverse possessiveness of his mad mother (who is institutionalized). As Johnny reads Zampano's manuscript, he adds his own (autobiographical) annotations to the scholarly ones that already adorn and clutter the text (a trick perhaps influenced by David Foster Wallace's Infinite Jest) - and begins experiencing panic attacks and episodes of disorientation that echo with ominous precision the content of Davidson's film (their house's interior proves, "impossibly," to be larger than its exterior; previously unnoticed doors and corridors extend inward inexplicably, and swallow up or traumatize all who dare to "explore" their recesses). Danielewski skillfully manipulates the reader's expectations and fears, employing ingeniously skewed typography, and throwing out hints that the house's apparent malevolence may be related to the history of the Jamestown colony, or to Davidson's Pulitzer Prize-winning photograph of a dying Vietnamese child stalked by a waiting vulture. Or, as "some critics [have suggested,] the house's mutations reflect the psychology of anyone who enters it."
The story's very ambiguity steadily feeds its mysteriousness and power, and Danielewski's mastery of postmodernist and cinema-derived rhetoric up the ante continuously, and stunningly. One of the most impressive excursions into the supernatural in many a year.Pub Date: March 6, 2000
ISBN: 0-375-70376-4
Page Count: 704
Publisher: Pantheon
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 2000
Jonathan Livingston Kitty, it’s not.
A lonely postman learns that he’s about to die—and reflects on life as he bargains with a Hawaiian-shirt–wearing devil.
The 30-year-old first-person narrator in filmmaker/novelist Kawamura’s slim novel is, by his own admission, “boring…a monotone guy,” so unimaginative that, when he learns he has a brain tumor, the bucket list he writes down is dull enough that “even the cat looked disgusted with me.” Luckily—or maybe not—a friendly devil, dubbed Aloha, pops onto the scene, and he’s willing to make a deal: an extra day of life in exchange for being allowed to remove something pleasant from the world. The first thing excised is phones, which goes well enough. (The narrator is pleasantly surprised to find that “people seemed to have no problem finding something to fill up their free time.”) But deals with the devil do have a way of getting complicated. This leads to shallow musings (“Sometimes, when you rewatch a film after not having seen it for a long time, it makes a totally different impression on you than it did the first time you saw it. Of course, the movie hasn’t changed; it’s you who’s changed") written in prose so awkward, it’s possibly satire (“Tears dripped down onto the letter like warm, salty drops of rain”). Even the postman’s beloved cat, who gains the power of speech, ends up being prim and annoying. The narrator ponders feelings about a lost love, his late mother, and his estranged father in a way that some readers might find moving at times. But for many, whatever made this book a bestseller in Japan is going to be lost in translation.
Jonathan Livingston Kitty, it’s not.Pub Date: March 12, 2019
ISBN: 978-1-250-29405-0
Page Count: 176
Publisher: Flatiron Books
Review Posted Online: Feb. 16, 2019
Kirkus Reviews Issue: March 1, 2019
© Copyright 2026 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
