A tale awash in fairy finery that delivers a few lessons in courage.
A youngster learns to change with the seasons.
Oak, the littlest leaf girl, lives in a big oak tree in the middle of the forest. She has “soft wings and branchlet bunches in her hair” and a fun-loving personality. Every day, Oak plays with her family and her friend Squirrel, but as the weather changes, the time comes to leave the tree. “All leaves must nestle into their winter acorn homes,” says Mama. Though Oak fears the unknown, Mama Oak reassures her that they’ll return in spring; Papa Oak says, “I trust you to go at your own pace and find the right moment to leap.” Her parents leave for a nearby acorn home, but Oak clings to her tree—and the charming illustrations make it look like a hard place to leave indeed. But autumnal tones shift to a cooler winter palette, and the warm, lighted windows of her family’s acorn house beckon. Oak realizes that it’s her family, not the tree, that brings her happiness. Oak’s resistance to change will resonate with children, but her parents’ gentle explanations and acceptance of the natural cycle guide her to face the inevitable shifting of the seasons. Fear of the unknown is nearly universal; the familiar messages and woodsy setting here offer a cozy way to reframe change as adventure. Oak and her mother are light-skinned; Papa is slightly darker-skinned.
A tale awash in fairy finery that delivers a few lessons in courage. (Picture book. 4-8)Pub Date: Sept. 10, 2024
ISBN: 9781536238822
Page Count: 32
Publisher: Candlewick
Review Posted Online: May 31, 2024
Kirkus Reviews Issue: July 1, 2024
Visually sweet, though hampered by disjointed storytelling.
In this picture book from Fox News journalist Hall, a young hedgehog must find a way to protect his community when peril looms.
Hedgehog and his father both have busy days ahead. Dad’s on his way to the newspaper to report “what new news the news brings.” Hedgehog packs his backpack for an adventure, mindful of Dad’s rules: “Don’t talk to strangers” and “never ever cross the river alone.” Obeying the rules proves difficult when Hedgehog notices commotion on the other side of the river: A bear is hungrily eyeing Baby Owl, who’s fallen from her tree. With creative thinking, Hedgehog frightens off the bear and alerts Mama Owl, but the predator is still at large. So Hedgehog and Mama Owl create flyers to warn the forest residents. Though Motzo’s airy illustrations are pleasing—particularly the adorably animated Hedgehog, a tribute to Hall’s own children—the narrative feels bogged down with multiple themes as it attempts to explore the power of the written word, the importance of community, and the need to adhere to a parent’s rules. When Hedgehog apologizes for his apparent disobedience, Dad explains that Hedgehog never actually broke the rules; turns out it’s OK to cross the river in the company of an adult, and Mama Owl’s no stranger (she’s the town librarian, whom Hedgehog sees every week). The back-and-forth may leave readers confused; it also feels like a missed opportunity to discuss how to identify trustworthy adults.
Visually sweet, though hampered by disjointed storytelling. (Picture book. 4-8)Pub Date: March 3, 2026
ISBN: 9780063357549
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: Dec. 26, 2025
Kirkus Reviews Issue: Feb. 1, 2026
Another empowering outing led by a dynamic young role model.
The third title in the Ambitious Girl series finds young Maya wanting accomplished women to get their due.
On a school trip to Washington, D.C., brown-skinned, bubble-braided Maya is full of questions, among them “How many representatives are there?” and, while checking out the statues and monuments, “Where are all the women?” Maya’s teacher tells her that they’ve seen all the “popular” statues and monuments. Maya is as dogged (“But what about Eleanor Roosevelt? Or Mary McLeod Bethune?”) as her teacher is dismissive: “Those aren’t on my list.” (Maya’s teacher follows the same list every trip.) Back at home, Maya is newly awakened to the lack of female representation in her orbit—she notices that streets and “even her own school” are named for men. Is there anything she can do about this? Maya’s teacher’s cluelessness feels a bit implausible, more like a plot device to steer the story in the right direction, but Maya’s righteous indignation is believable, and her corresponding activism will energize readers. Valdez gets into the spirit of things with her invigorating digital art: Maya and her multiethnic classmates and neighbors are colorful dressers with smiling faces, which fosters a sense that wherever Maya goes, a warm and ebullient community is there for her.
Another empowering outing led by a dynamic young role model. (Picture book. 5-8)Pub Date: Feb. 3, 2026
ISBN: 9780316561341
Page Count: 40
Publisher: Little, Brown
Review Posted Online: Sept. 27, 2025
Kirkus Reviews Issue: Nov. 1, 2025
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