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What emerges most triumphantly is the portrait of Corsica as a nightmarishly self-enclosed world where anything can...

Debut novel in which a child’s kidnapping sparks years-old Corsican rivalries and hatreds.

Mathieu Aron hated the insular world he’d grown up in, but since his accidental death three years ago, his widow Alice has returned repeatedly to the village of Santaros because she feels closer to him there than anywhere. This trip, however, is different, as she learns the day after her arrival when her son Sam vanishes at high noon from the town square. He’s been kidnapped, she insists to police commissaire Antoine Stuart, exiled from Paris to this way-station at the edge of the earth. Stuart mobilizes his force and casts his net over the island, but keeps a determined lid on news reports to the mainland. The result is a claustrophobic intensity in which only Corsican intrigues matter, and every Corsican knows everything about every other. Even Alice knows that Coco Santini, the island’s criminal leader for the past 20 years, is the likeliest person to help her get a line on Sam, and she’s willing to overlook the probable costs to her to enlist the strongman’s help. Sure enough, Santini soon identifies Sam’s abductor as a Portuguese interloper, advises Alice to pay the amateurishly low ransom he’s demanded, and even offers his services as a go-between. Genre fans will know the payoff can’t possibly be that easy, and they’ll be right, thanks to a new twist that sends the kidnapping into darker waters than ever. Through it all, Wadham writes with a powerfully touching lack of sentiment about the shifting alliances her characters are forced to pursue, even though she sometimes cuts off so much along with the sentiment that revelations of deeper feelings can be hard to swallow.

What emerges most triumphantly is the portrait of Corsica as a nightmarishly self-enclosed world where anything can happen—and where, sooner or later, everything does.

Pub Date: Oct. 1, 2000

ISBN: 0-7867-0785-2

Page Count: 320

Publisher: N/A

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Sept. 1, 2000

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THEN SHE WAS GONE

Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.

Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.

Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

Pub Date: April 24, 2018

ISBN: 978-1-5011-5464-5

Page Count: 368

Publisher: Atria

Review Posted Online: Feb. 5, 2018

Kirkus Reviews Issue: Feb. 15, 2018

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CONCLAVE

An illuminating read for anyone interested in the inner workings of the Catholic Church; for prelate-fiction superfans, it...

Harris, creator of grand, symphonic thrillers from Fatherland (1992) to An Officer and a Spy (2014), scores with a chamber piece of a novel set in the Vatican in the days after a fictional pope dies.

Fictional, yes, but the nameless pontiff has a lot in common with our own Francis: He’s famously humble, shunning the lavish Apostolic Palace for a small apartment, and he is committed to leading a church that engages with the world and its problems. In the aftermath of his sudden death, rumors circulate about the pope’s intention to fire certain cardinals. At the center of the action is Cardinal Lomeli, Dean of the College of Cardinals, whose job it is to manage the conclave that will elect a new pope. He believes it is also his duty to uncover what the pope knew before he died because some of the cardinals in question are in the running to succeed him. “In the running” is an apt phrase because, as described by Harris, the papal conclave is the ultimate political backroom—albeit a room, the Sistine Chapel, covered with Michelangelo frescoes. Vying for the papal crown are an African cardinal whom many want to see as the first black pope, a press-savvy Canadian, an Italian arch-conservative (think Cardinal Scalia), and an Italian liberal who wants to continue the late pope’s campaign to modernize the church. The novel glories in the ancient rituals that constitute the election process while still grounding that process in the real world: the Sistine Chapel is fitted with jamming devices to thwart electronic eavesdropping, and the pressure to act quickly is increased because “rumours that the pope is dead are already trending on social media.”

An illuminating read for anyone interested in the inner workings of the Catholic Church; for prelate-fiction superfans, it is pure temptation.

Pub Date: Nov. 22, 2016

ISBN: 978-0-451-49344-6

Page Count: 304

Publisher: Knopf

Review Posted Online: Sept. 6, 2016

Kirkus Reviews Issue: Sept. 15, 2016

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