The personal is patently political in Kiesling’s call to environmental arms.
An examination of the myriad costs of delivering the “energy” needed to power everyday life through the story of one American woman.
Bunny Glenn, the disaffected teenage daughter of a U.S. foreign service officer, floats through life and her father’s relocations in a state of adolescent ennui and annoyance. Kiesling begins her account of Bunny’s slow journey to a level of heightened awareness of petropolitics in 1998 with her father’s posting in Baku, Azerbaijan, a hotbed of political and oil industry machinations in the wake of the breakup of the Soviet Union. While primarily concerned about her appearance and prime-time American soap operas translated into foreign languages for worldwide consumption, Bunny manages to absorb enough about the oil industry through osmosis that it comes as no surprise when, years later, an adult Bunny (who eventually prefers to be called Elizabeth) finds herself climbing the corporate ladder of a small, family-owned energy company in Texas. Through a lens focused on Bunny, Kiesling is able to deliver an examination of the roles of (among other factors) class, gender, politics, and economics in the development of the world’s addictive reliance upon fossil fuels. Bunny, who has been privy to rumors and stories of industry corruption and avarice, grapples with the need to make a life (and a living) for herself in an arena filled with self-interest and increasingly devastating environmental danger. All the while, she contends with concerns shared with women finding their ways in the corporate world and the world of self-fulfillment. Designer bags, Korean skin care lines, nail polish colors, and the resolution of a long-held sexual attraction take turns as signals of Bunny’s evolving persona in this artful demonstration of how micro decisions have macro results.
The personal is patently political in Kiesling’s call to environmental arms.Pub Date: Aug. 1, 2023
ISBN: 9781638930563
Page Count: 368
Publisher: Zando
Review Posted Online: May 24, 2023
Kirkus Reviews Issue: June 15, 2023
BOOK REVIEW
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
A dark and twisty look at just how far one woman is willing to go to find inspiration.
A struggling writer finds an unexpected muse when a mysterious man shows up at her cabin.
Petra Rose used to pump out a bestselling book every six months, but then the adaptation happened—that is, the disastrous film adaptation of her most famous book. The movie changed the book’s storyline so egregiously that fans couldn’t forgive her, and the ensuing harassment sent Petra into hiding and gave her a serious case of writer’s block. Petra’s one hope is her solo writing retreat at a remote cabin, where she can escape the distractions of real life and focus on her next book, a story about a woman having an affair with a cop. When officer Nathaniel Saint shows up at her cabin door, inspiration comes flooding back. Much like the character from Petra’s book, Saint is married, and he’s willing to be Petra’s muse, helping her get into her characters’ heads. Petra’s book is practically writing itself, but is the game she’s playing a little too dangerous? Does she know when to stop—and, more importantly, is Saint willing to stop? Hoover is no stranger to controversial movie adaptations and internet backlash, but she clarifies in a note to readers that she’s “just a writer writing about a writer” and that no further connections to her own life are contained in these pages—which is a good thing, because the book takes some horrifying twists and turns. Petra finds herself inexplicably attracted to Saint, even as she describes him as “such an asshole,” and her feelings for him veer between love and hate. The novel serves as a meta commentary on the dark romance genre—as Petra puts it, “Even though, as readers, we wouldn’t want to live out some of the fantasies we read about, it doesn’t mean we don’t enjoy reading those things.”
A dark and twisty look at just how far one woman is willing to go to find inspiration.Pub Date: Jan. 13, 2026
ISBN: 9781662539374
Page Count: -
Publisher: Montlake
Review Posted Online: Sept. 27, 2025
Kirkus Reviews Issue: Nov. 1, 2025
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