Hunt (Fish in a Tree, 2017, etc.) has crafted another gentle, moving tale of love and loss: the value of the one and the...
“The ones that love you protect your feelings because they’ve been given a piece of you. Others may toss them around for just the same reason.”
It’s the summer that Delsie hears that hard lesson from her grandmother and comes to fully understand what it means. Her best off-Cape friend has returned for the season, but now Brandy, once her soul mate, is wearing makeup and has brought along a mean, snobby friend, Tressa, who’s put off by Delsie’s dirty, bare feet and near-poverty. Ronan is new to the Cape, too, and at first he’s a hard boy to get to know. But Delsie, stunned by Brandy’s betrayal, perseveres, realizing that he’s just as lonely as she is and that his mother is gone, having sent him away, just as hers is—heartbreakingly lost to alcohol and drugs. A richly embroidered cast of characters, a thoughtful exploration of how real friends treat one another, and the true meaning of family all combine to make this a thoroughly satisfying coming-of-age tale. Cape Cod is nicely depicted—not the Cape of tourists but the one of year-round residents—as is the sometimes-sharp contrast between residents and summer people. The book adheres to the white default; one of Delsie's neighbors hails from St. Croix and wears her hair in an Afro.
Hunt (Fish in a Tree, 2017, etc.) has crafted another gentle, moving tale of love and loss: the value of the one and the importance of getting over the other. (Fiction. 10-12)Pub Date: May 7, 2019
ISBN: 978-0-399-17515-2
Page Count: 288
Publisher: Nancy Paulsen Books
Review Posted Online: Jan. 14, 2019
Kirkus Reviews Issue: Feb. 1, 2019
The plot thickens but is still far from crystallizing in this madcap sequel to The Mysterious Howling (2010). Transplanted to London while repairs are being made to manorial Ashton Place in the wake of the last episode’s disastrous climax, inexperienced but resourceful governess Penelope Lumley looks forward to shepherding her three young charges—still acquiring a veneer of civilization after having been supposedly raised in the forest by wolves—about the great city. Unsurprisingly, events quickly get out of hand. Except for the occasional self-indulgent aside (listing real but irrelevant 19th-century tourist guides, for instance), the narrative voice continues to develop, thanks to diversions into such niceties as the difference between “optimism” and “optoomuchism” and pterodomania (the study of ferns). When not digressing, the narrator keeps the plot aboil, stirring in vague warnings and (of course) references to a prophecy, characters with ambiguous identities, astonishing apparent coincidences and tasty elements such as a cast of theatrical (but also possibly real) pirates and a strange guidebook that furnishes Penelope with obviously-significant Clues to her own obscure past as well as that of the children’s. Great fun, and it wouldn’t be optoomuchstic to expect more to come. Includes frequent full-page line drawings, not seen. (Melodrama. 10-12)
Pub Date: Feb. 22, 2011
ISBN: 978-0-06-179112-3
Page Count: 320
Publisher: Balzer + Bray/HarperCollins
Review Posted Online: Jan. 8, 2011
Kirkus Reviews Issue: Jan. 15, 2011
Fellow writers will understand Autumn’s quest, but others may not find her tale as compelling.
Autumn is a writer, and although she’s just 12, she is fully ready to be published—or so she thinks.
She’s midway through writing her first fantasy novel, but it’s her realistic writing that finally gets her the attention she craves. Life is made complicated by her disintegrating relationship with her previously loving older brother, Hunter. Since starting 10th grade, he’s become downright mean, even reading aloud to members of his rock band the love poem Autumn composed to her serious crush, enigmatic Cameron—in front of Cameron’s older brother. Autumn seeks revenge, first composing a scathing and untrue review of his band’s performance but then submitting to an essay contest a description of what Hunter used to mean to her contrasted against his recent behavior. Although many of the embarrassing situations she endures will be uncomfortably familiar to readers—especially her uncertain encounters with her crush—Autumn only achieves real likability near the end of this tame outing. Her narrative voice is fully believable but lacks the amiability that would elevate her to admirable or charming. Her parents’ earnest attempts to fix Hunter’s problems add a subplot of mild frustration. In the absence of racial or ethnic markers, readers are likely to see Autumn and her family as white.
Fellow writers will understand Autumn’s quest, but others may not find her tale as compelling. (Fiction. 10-12)Pub Date: Sept. 27, 2016
ISBN: 978-0-374-30164-4
Page Count: 256
Publisher: Margaret Ferguson/Farrar, Straus & Giroux
Review Posted Online: June 21, 2016
Kirkus Reviews Issue: July 1, 2016
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