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CINDER RABBIT

Zoe is ecstatic when she lands the lead in her school’s spring play, Cinder Rabbit. That is, until she realizes that she will have to lead the other students in the Bunny Hop. Zoe hasn’t been able to hop since Winifred laughed at her when she bounced into a mud puddle and fell. As the play approaches, Zoe feels increasingly anxious and, practice though she may, she can’t get her hop back. Meanwhile, the class prepares the sets, creates posters, costumes and invitations for the production. During rehearsal, though Zoe tries to overcome her fear and her classmates cheer her on, she feels defeated when Winifred teases her again. On the night of the performance, despite her buoyant nature, Zoe freezes up until Prince Charming’s amusing reenactment of a trip to town inspires her to leap above her fears. Plentifully illustrated with darling, expressive bunnies, this early chapter book lightly but effectively explores the consequences of bullying while extolling the virtues of perseverance. (Fiction. 6-9)

Pub Date: April 1, 2008

ISBN: 978-0-8050-8194-7

Page Count: 64

Publisher: Henry Holt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 15, 2008

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HENRY AND MUDGE AND THE STARRY NIGHT

From the Henry and Mudge series

Rylant (Henry and Mudge and the Sneaky Crackers, 1998, etc.) slips into a sentimental mode for this latest outing of the boy and his dog, as she sends Mudge and Henry and his parents off on a camping trip. Each character is attended to, each personality sketched in a few brief words: Henry's mother is the camping veteran with outdoor savvy; Henry's father doesn't know a tent stake from a marshmallow fork, but he's got a guitar for campfire entertainment; and the principals are their usual ready-for-fun selves. There are sappy moments, e.g., after an evening of star- gazing, Rylant sends the family off to bed with: ``Everyone slept safe and sound and there were no bears, no scares. Just the clean smell of trees . . . and wonderful green dreams.'' With its nice tempo, the story is as toasty as its campfire and swaddled in Stevenson's trusty artwork. (Fiction. 6-8)

Pub Date: April 1, 1998

ISBN: 0-689-81175-6

Page Count: 48

Publisher: Simon & Schuster

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 1, 1998

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BIG CHICKENS

With wordplay reminiscent of Margie Palatini at her best, Helakoski takes four timorous chickens into, then out of, the literal and figurative woods. Fleeing the henhouse after catching sight of a wolf, the pusillanimous pullets come to a deep ditch: “ ‘What if we can’t jump that far?’ ‘What if we fall in the ditch?’ ‘What if we get sucked into the mud?’ The chickens tutted, putted, and flutted. They butted into themselves and each other, until one by one . . . ” they do fall in. But then they pick themselves up and struggle out. Ensuing encounters with cows and a lake furnish similar responses and outcomes; ultimately they tumble into the wolf’s very cave, where they “picked, pecked, and pocked. They ruffled, puffled, and shuffled. They shrieked, squeaked, and freaked, until . . . ” their nemesis scampers away in panic. Fluttering about in pop-eyed terror, the portly, partly clothed hens make comical figures in Cole’s sunny cartoons (as does the flummoxed wolf)—but the genuine triumph in their final strut—“ ‘I am a big, brave chicken,’ said one chicken. ‘Ohh . . . ’ said the others. ‘Me too.’ ‘Me three.’ ‘Me four’ ”—brings this tribute to chicken power to a rousing close. (Picture book. 6-8)

Pub Date: Feb. 1, 2006

ISBN: 0-525-47575-3

Page Count: 32

Publisher: Dutton

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 15, 2005

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