Even without the hard core of logic that marks Sonora’s best cases, Hightower (No Good Deed, 1998, etc.) evokes a world...
According to Joy Stinnet, the last of the home-invasion victims to die—and her brutal, tender death scene is the first tip-off that Hightower’s fifth police novel is up to something special—the Stinnet home was broken into by two men and an angel. Evidence piles up at an almost indecent rate against the two men, olive-addicted sociopath Lanky Aruba and his nephew Barty Kinkle. But what is Cincinnati Police Detective Sonora Blair supposed to do about the angel? From her partner, Sam Delarosa, to her boss, Sergeant Crick, to Crick’s ex-partner Jack Van Owen, retired by a gunshot years ago but now back in the thick of this case, nobody agrees with Sonora that there must have been a third man in the Stinnet house, somebody who broke Barty’s tooth and hid Joy Stinnet and her baby under her bed. As the case hurtles on at Hightower’s accustomed breakneck speed, though, it’s increasingly obvious, at least to Sonora, that tracking and watching and arresting Aruba and Kinkle isn’t going to get to the bottom of the mystery. And that isn’t just because the Stinnets’ unpaid debts to updated loan sharks seem a pitifully inadequate motive for the nightmare of their deaths, but because Hightower is drawing close to the other kinds of mystery—to territory most cop novels would blanket with crime-scene tape and ignore.
Even without the hard core of logic that marks Sonora’s best cases, Hightower (No Good Deed, 1998, etc.) evokes a world richer in possibilities of guilt and redemption than most crime novelists’ unqualified successes.Pub Date: Oct. 18, 2000
ISBN: 0-385-32360-3
Page Count: 320
Publisher: Delacorte
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 1, 2000
Proficient but eminently predictable. Amid all the time shifts and embedded backstories, the most surprising feature is how...
A convicted killer’s list of five people he wants dead runs the gamut from the wife he’s already had murdered to franchise heroine Ali Reynolds.
Back in the day, women came from all over to consult Santa Clarita fertility specialist Dr. Edward Gilchrist. Many of them left his care happily pregnant, never dreaming that the father of the babies they carried was none other than the physician himself, who donated his own sperm rather than that of the handsome, athletic, disease-free men pictured in his scrapbook. When Alexandra Munsey’s son, Evan, is laid low by the kidney disease he’s inherited from his biological father and she returns to Gilchrist in search of the donor’s medical records, the roof begins to fall in on him. By the time it’s done falling, he’s serving a life sentence in Folsom Prison for commissioning the death of his wife, Dawn, the former nurse and sometime egg donor who’d turned on him. With nothing left to lose, Gilchrist tattoos himself with the initials of five people he blames for his fall: Dawn; Leo Manuel Aurelio, the hit man he’d hired to dispose of her; Kaitlyn Todd, the nurse/receptionist who took Dawn’s place; Alex Munsey, whose search for records upset his apple cart; and Ali Reynolds, the TV reporter who’d helped put Alex in touch with the dozen other women who formed the Progeny Project because their children looked just like hers. No matter that Ali’s been out of both California and the news business for years; Gilchrist and his enablers know that revenge can’t possibly be served too cold. Wonder how far down that list they’ll get before Ali, aided once more by Frigg, the methodical but loose-cannon AI first introduced in Duel to the Death (2018), turns on them?
Proficient but eminently predictable. Amid all the time shifts and embedded backstories, the most surprising feature is how little the boundary-challenged AI, who gets into the case more or less inadvertently, differs from your standard human sidekick with issues.Pub Date: April 2, 2019
ISBN: 978-1-5011-5101-9
Page Count: 352
Publisher: Gallery Books/Simon & Schuster
Review Posted Online: Feb. 18, 2019
Kirkus Reviews Issue: March 1, 2019
All these problems are handsomely solved at the unsurprising cost of making the human characters less interesting than the...
Just when you thought you’d seen a detective in every guise imaginable, here comes one in sheep’s clothing.
For years, George Glenn hasn’t been close to anyone but his sheep. Everyday he lets them out, pastures them, reads to them and brings them safely back home to his barn in the guilelessly named Irish village of Glennkill. Now George lies dead, pinned to the ground by a spade. Although his flock haven’t had much experience with this sort of thing, they’re determined to bring his killer to justice. There are of course several obstacles, and debut novelist Swann deals with them in appealingly matter-of-fact terms. Sheep can’t talk to people; they can only listen in on conversations between George’s widow Kate and Bible-basher Beth Jameson. Not even the smartest of them, Othello, Miss Maple (!) and Mopple the Whale, can understand much of what the neighborhood priest is talking about, except that his name is evidently God. They’re afraid to confront suspects like butcher Abraham Rackham and Gabriel O’Rourke, the Gaelic-speaking charmer who’s raising a flock for slaughter. And even after a series of providential discoveries and brainwaves reveals the answer to the riddle, they don’t know how to tell the Glennkill citizenry.
All these problems are handsomely solved at the unsurprising cost of making the human characters less interesting than the sheep. But the sustained tone of straight-faced wonderment is magical.Pub Date: June 5, 2007
ISBN: 978-0-385-52111-6
Page Count: 368
Publisher: Flying Dolphin/Doubleday
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: April 15, 2007
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