Gripping monster mischief highlights an environmental problem but gives the protagonists little to do.
A seaside vacation turns into a monster attack when plastic ocean garbage undergoes a horrifying transformation in this second installment of an illustrated children’s book series.
Twelve-year-old, red-haired Pixie Van Dimple and her White family have planned a beach day. While off to get fish and chips for lunch, Pixie and her sister, Trixie, tell their father they’re going to use the bathroom—but they are actually heading to the candy store to buy sweets. As they walk back, they decide that since they can’t spot a trash bin, they’ll just dump their garbage in the ocean. It’s the last straw for the sea: Pixie and Trixie’s trash sets off a catastrophic transformation, and a garbage monster rises from the ocean. While the uncredited illustrations keep their bright colors and friendly cartoon feel, the situation described in the text is dire: “All around the girls, death and destruction ensued, the likes of it never witnessed before / On a scale of 1 to ten since you ask, this was spectacularly HARD CORE!” Leaving the sisters behind, the rhyming narrative amps up the worldwide chaos, eventually relating the use of space lasers to solve the plastic mess. Meanwhile, Pixie and Trixie miraculously survive in a huge beach hole dug by overzealous vacationers. Though the monster mayhem highlights the disaster of plastic in the ocean, the tale moves away from the sisters, who just cause the cataclysm and then persevere through no efforts of their own. McAllister uses rhyming phrases of different lengths, with frequent interjections that throw off the scansion. In addition to the complex vocabulary (synchronised quintet, sensitive dermis) that would challenge the picture-book crowd, the uneven font makes for a difficult reading experience. Strong, independent middle-grade readers are the likely target audience for the text, but the flat cartoon images, sanitized of the narrative’s violence, feel aimed at a much younger group. The London author’s comedic tone and action-packed story will appeal to budding environmentalists. But the clunky format and design place the tale between age categories.
Gripping monster mischief highlights an environmental problem but gives the protagonists little to do.Pub Date: Aug. 31, 2022
ISBN: 978-1-398-41427-3
Page Count: 34
Publisher: Austin Macauley
Review Posted Online: Oct. 5, 2022
Review Program: Kirkus Indie
Quirky and imaginative—postmodern storytelling at its best.
Friendly curiosity and a gift for naming earn a polar bear an assortment of (mostly animal) friends, adventures, mishaps, and discoveries.
Arriving at a northern ocean, Duane spies a shipwreck. Swimming out to investigate, he meets its lone occupant, C.C., a learned snowy owl whose noble goal is acquiring knowledge to apply “toward the benefit of all.” Informing Duane that he’s a polar bear, she points out a nearby cave that might suit him—it even has a mattress. Adding furnishings from the wreck—the grandfather clock’s handless, but who needs to tell time when it’s always now?—he meets a self-involved musk ox, entranced by his own reflection, who’s delighted when Duane names him “Handsome.” As he comes to understand, then appreciate their considerable diversity, Duane brings out the best in his new friends. C.C., who has difficulty reading emotions and dislikes being touched, evokes the autism spectrum. Magic, a bouncy, impulsive arctic fox, manifests ADHD. Major Puff, whose proud puffin ancestry involves courageous retreats from danger, finds a perfect companion in Twitch, a risk-aware, common-sensical hare. As illustrated, Sun Girl, a human child, appears vaguely Native, and Squint, a painter, white, but they’re sui generis: The Canadian author avoids referencing human culture. The art conveys warmth in an icy setting; animal characters suggest beloved stuffed toys, gently reinforcing the message that friendship founded on tolerance breeds comfort and safety.
Quirky and imaginative—postmodern storytelling at its best. (Animal fantasy. 8-12)Pub Date: Sept. 10, 2019
ISBN: 978-1-5344-3341-0
Page Count: 272
Publisher: Atheneum
Review Posted Online: May 7, 2019
Kirkus Reviews Issue: June 1, 2019
Telgemeier’s bold colors, superior visual storytelling, and unusual subject matter will keep readers emotionally engaged and...
Catrina narrates the story of her mixed-race (Latino/white) family’s move from Southern California to Bahía de la Luna on the Northern California coast.
Dad has a new job, but it’s little sister Maya’s lungs that motivate the move: she has had cystic fibrosis since birth—a degenerative breathing condition. Despite her health, Maya loves adventure, even if her lungs suffer for it and even when Cat must follow to keep her safe. When Carlos, a tall, brown, and handsome teen Ghost Tour guide introduces the sisters to the Bahía ghosts—most of whom were Spanish-speaking Mexicans when alive—they fascinate Maya and she them, but the terrified Cat wants only to get herself and Maya back to safety. When the ghost adventure leads to Maya’s hospitalization, Cat blames both herself and Carlos, which makes seeing him at school difficult. As Cat awakens to the meaning of Halloween and Day of the Dead in this strange new home, she comes to understand the importance of the ghosts both to herself and to Maya. Telgemeier neatly balances enough issues that a lesser artist would split them into separate stories and delivers as much delight textually as visually. The backmatter includes snippets from Telgemeier’s sketchbook and a photo of her in Día makeup.
Telgemeier’s bold colors, superior visual storytelling, and unusual subject matter will keep readers emotionally engaged and unable to put down this compelling tale. (Graphic fiction. 8-12)Pub Date: Sept. 13, 2016
ISBN: 978-0-545-54061-2
Page Count: 256
Publisher: Scholastic
Review Posted Online: July 1, 2016
Kirkus Reviews Issue: July 15, 2016
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