An abundance of good writing and interesting storylines and environmental information, but not much to tie it together.
In the wake of their mother’s death, a Florida family regroups.
Strong’s fourth novel, set over two recent summer months in a wealthy area of Florida, is defined by an unusual decision: The third-oldest of the four Kenner siblings, Jude, is its omniscient narrator. At one point, there is a parenthetical acknowledgement of how weird this is: “A lot of what I’m saying here I found out later; the rest, as Fred would say, I’ve imagined my way into, because why not.” The reason Fred, short for Winnifred, would say this is that she, the second child, is the writer in the family, and her published books have been the source of difficulty and estrangement. With the story she tells here, Jude is effectively taking back the narrative, describing Fred’s (and everyone else’s) experiences in Florida so intimately that one has to keep reminding oneself that this is Jude’s story and trying to recall which woman goes with which husband or ex-husband, etc., and that Jude is largely offstage in New York. As the novel opens, the children’s mother has had a stroke while running and died two days later. Jude and her youngest sibling, George, come to town for the funeral; George remains at their parents’ house for the rest of the novel. One of the things Jude “found out later” is why he didn’t want to go home to Houston. Another such thing is that at the “party that was not a party” after the funeral, Fred found a gun in their mother’s dresser drawer. The story of this gun, both in the past and the present, is the closest thing the novel has to a throughline, and the suspicion that it must at some point be discharged proves true. Every one of the many characters, including the dead mother, has backstories and subplots and friends and associates. Threaded through it all is bad news about the Floridian landscape and climate that plays little role in the plot.
An abundance of good writing and interesting storylines and environmental information, but not much to tie it together.Pub Date: April 8, 2025
ISBN: 9780063390737
Page Count: 320
Publisher: Mariner Books
Review Posted Online: Feb. 1, 2025
Kirkus Reviews Issue: March 1, 2025
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
SEEN & HEARD
A pleasant if not entirely convincing tribute to the power of art.
A French art historian’s English-language fiction debut combines the story of a loving relationship between a grandfather and granddaughter with an enlightening discussion of art.
One day, when 10-year-old Mona removes the necklace given to her by her now-dead grandmother, she experiences a frightening, hour-long bout of blindness. Her parents take her to the doctor, who gives her a variety of tests and also advises that she see a psychiatrist. Her grandfather Henry tells her parents that he will take care of that assignment, but instead, he takes Mona on weekly visits to either the Louvre, the Musée d’Orsay, or the Centre Pompidou, where each week they study a single work of art, gazing at it deeply and then discussing its impact and history and the biography of its maker. For the reader’s benefit, Schlesser also describes each of the works in scrupulous detail. As the year goes on, Mona faces the usual challenges of elementary school life and the experiences of being an only child, and slowly begins to understand the causes of her temporary blindness. Primarily an amble through a few dozen of Schlesser’s favorite works of art—some well known and others less so, from Botticelli and da Vinci through Basquiat and Bourgeois—the novel would probably benefit from being read at a leisurely pace. While the dialogue between Henry and the preternaturally patient and precocious Mona sometimes strains credulity, readers who don’t have easy access to the museums of Paris may enjoy this vicarious trip in the company of a guide who focuses equally on that which can be seen and the context that can’t be. Come for the novel, stay for the introductory art history course.
A pleasant if not entirely convincing tribute to the power of art.Pub Date: Aug. 26, 2025
ISBN: 9798889661115
Page Count: 432
Publisher: Europa Editions
Review Posted Online: June 7, 2025
Kirkus Reviews Issue: July 15, 2025
SEEN & HEARD
SEEN & HEARD
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