Poetic, intriguing, and charming.
What would you put in your own museum exhibits?
Perkins’ great gifts for observation and connections are on display here as her narrator—a young White person—serves as curator and tour guide for several “museum exhibits” of concrete objects and abstract phenomena. “When the world gets too big…I like to look at little pieces of it, one at a time,” the narrator says. The result is a small, idiosyncratic catalog of possibilities and a lens for seeing parts of the world in relation to one another. Anything might belong in an exhibit: skirts made from flowering shrubs, all the hiding places in a room, shadows, the sky. One exhibit is a meditation on islands, perspective, and scale: An island could be a stone in a pool on a rock in a pond on an island in the ocean. Perkins uses a palette of rich bright colors in these dioramas and collages. Found items become foliage for bushes, shadow-box items, sandy shorelines. A realistic-looking book dissolves into clouds. Because the text is conversational, quietly speculative, and low-key, there is plenty of room for readers to think about and celebrate their own ways of seeing, collecting, and cataloging the world—and to celebrate an endless variety of possible museum exhibits around them. (This book was reviewed digitally with 9.3-by-22.6-inch double-page spreads viewed at 23.6% of actual size.)
Poetic, intriguing, and charming. (Picture book. 3-8)Pub Date: May 11, 2021
ISBN: 978-0-06-298630-6
Page Count: 40
Publisher: Greenwillow Books
Review Posted Online: March 16, 2021
Kirkus Reviews Issue: April 1, 2021
From curds to riches, from meltdown to uplift—this multicourse romp delivers.
A winning wheel of cheddar with braggadocio to match narrates a tale of comeuppance and redemption.
From humble beginnings among kitchen curds living “quiet lives of pasteurization,” the Big Cheese longs to be the best and builds success and renown based on proven skills and dependable results: “I stuck to the things I was good at.” When newcomer Wedge moves to the village of Curds-on-Whey, the Cheese’s star status wobbles and falls. Turns out that quiet, modest Wedge is also multitalented. At the annual Cheese-cathlon, Wedge bests six-time winner Cheese in every event, from the footrace and chess to hat making and bread buttering. A disappointed Cheese throws a full-blown tantrum before arriving at a moment of truth: Self-calming, conscious breathing permits deep relief that losing—even badly—does not result in disaster. A debrief with Wedge “that wasn’t all about me” leads to further realizations: Losing builds empathy for others; obsession with winning obscures “the joy of participating.” The chastened cheddar learns to reserve bragging for lifting up friends, because anyone can be the Big Cheese. More didactic and less pun-rich than previous entries in the Food Group series, this outing nevertheless couples a cheerful refrain with pithy life lessons that hit home. Oswald’s detailed, comical illustrations continue to provide laughs, including a spot with Cheese onstage doing a “CHED” talk.
From curds to riches, from meltdown to uplift—this multicourse romp delivers. (Picture book. 4-8)Pub Date: Nov. 7, 2023
ISBN: 9780063329508
Page Count: 40
Publisher: Harper/HarperCollins
Review Posted Online: Aug. 26, 2023
Kirkus Reviews Issue: Sept. 15, 2023
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A disappointing follow-up.
Inventor Izzy Gizmo is back in this sequel to her eponymous debut (2017).
While busily inventing one day, Izzy receives an invitation from the Genius Guild to their annual convention. Though Izzy’s “inventions…don’t always work,” Grandpa (apparently her sole caregiver) encourages her to go. The next day they undertake a long journey “over fields, hills, and waves” and “mile after mile” to isolated Technoff Isle. There, Izzy finds she must compete against four other kids to create the most impressive machine. The colorful, detail-rich illustrations chronicle how poor Izzy is thwarted at every turn by Abi von Lavish, a Veruca Salt–esque character who takes all the supplies for herself. But when Abi abandons her project, Izzy salvages the pieces and decides to take Grandpa’s advice to create a machine that “can really be put to good use.” A frustrated Izzy’s impatience with a friend almost foils her chance at the prize, but all’s well that ends well. There’s much to like: Brown-skinned inventor girl Izzy is an appealing character, it’s great to see a nurturing brown-skinned male caregiver, the idea of an “Invention Convention” is fun, and a sustainable-energy invention is laudable. However, these elements don’t make up for rhymes that often feel forced and a lackluster story.
A disappointing follow-up. (Picture book. 3-6)Pub Date: March 1, 2020
ISBN: 978-1-68263-164-5
Page Count: 32
Publisher: Peachtree
Review Posted Online: Jan. 11, 2020
Kirkus Reviews Issue: Feb. 1, 2020
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