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THE SAME BLOOD

An examination of Latinx identity, family bonds, mental health, suicide, grief, and guilt that will hopefully spark...

Puerto Rican teen Elena grapples with guilt about her twin sister Mel’s suicide in this novel in verse for reluctant teen readers.

Elena doesn’t connect to her Puerto Rican identity: She straightens her hair to fit in and (while ashamed of herself for not speaking up) never defends her culture from white peers’ mockery. Conversely, Mel always wears her natural curls and revels in their heritage. By 11, Elena notices that, “The nervous feelings / came to [Mel] more often.” Six months after their quinceañera, Mel dies by suicide. Elena’s haunted—she knew Mel was suffering but didn’t do anything. Their parents hadn’t helped Mel either: Their “Papi had no patience / for her,” and Mami “told her to pray.” Evocative poems—all narrated from Elena’s perspective—connect readers to her overwhelming guilt and shame, which quickly lead to reckless drinking. Elena’s arrested for drunken driving and subsequently sent to rehab, which turns out not to be a safe space—the only other brown-skinned person is the groundskeeper and an aggressive, racial slur–slinging white boy shows up. Unfortunately, the seriousness of the lack of safe spaces for people of color to deal with mental issues isn’t fully explored, and the book ends rather abruptly.

An examination of Latinx identity, family bonds, mental health, suicide, grief, and guilt that will hopefully spark much-needed dialogue. Necessary. (Verse novel. 14-18)

Pub Date: Aug. 1, 2018

ISBN: 978-1-5383-8252-3

Page Count: 200

Publisher: West 44 Books

Review Posted Online: July 29, 2018

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IF HE HAD BEEN WITH ME

There’s not much plot here, but readers will relish the opportunity to climb inside Autumn’s head.

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  • New York Times Bestseller

The finely drawn characters capture readers’ attention in this debut.

Autumn and Phineas, nicknamed Finny, were born a week apart; their mothers are still best friends. Growing up, Autumn and Finny were like peas in a pod despite their differences: Autumn is “quirky and odd,” while Finny is “sweet and shy and everyone like[s] him.” But in eighth grade, Autumn and Finny stop being friends due to an unexpected kiss. They drift apart and find new friends, but their friendship keeps asserting itself at parties, shared holiday gatherings and random encounters. In the summer after graduation, Autumn and Finny reconnect and are finally ready to be more than friends. But on August 8, everything changes, and Autumn has to rely on all her strength to move on. Autumn’s coming-of-age is sensitively chronicled, with a wide range of experiences and events shaping her character. Even secondary characters are well-rounded, with their own histories and motivations.

There’s not much plot here, but readers will relish the opportunity to climb inside Autumn’s head.   (Fiction. 14 & up)

Pub Date: April 1, 2013

ISBN: 978-1-4022-7782-5

Page Count: 336

Publisher: Sourcebooks Fire

Review Posted Online: Feb. 12, 2013

Kirkus Reviews Issue: March 1, 2013

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INDIVISIBLE

An ode to the children of migrants who have been taken away.

A Mexican American boy takes on heavy responsibilities when his family is torn apart.

Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.

An ode to the children of migrants who have been taken away. (Fiction. 14-18)

Pub Date: May 4, 2021

ISBN: 978-0-7595-5605-8

Page Count: 400

Publisher: Little, Brown

Review Posted Online: Feb. 22, 2021

Kirkus Reviews Issue: March 15, 2021

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