by M. Nolan Gray ‧ RELEASE DATE: June 21, 2022
A welcome manifesto for rethought urban spaces and their outliers, bringing social justice into the discussion.
A study of zoning as an instrument of inequality—and deliberately so.
Former New York City planning official Gray examines the “arbitrary lines” that mark zoning maps. In most of the country’s major cities, he notes, the least desired sort of construction is apartment buildings, since these typically serve poorer communities, often made up of immigrants or ethnic minorities. Because deed covenants are no longer politically acceptable, zoning authorities hide behind “a dizzying array of confusing and pseudoscientific rules” that touch on such things as setbacks, floor area ratios, room size, and the like. So it has always been: Gray observes that the first discernible zoning laws were meant to impede Eastern European Jews from settling along New York’s Fifth Avenue. Modern zoning laws block not just the movements of people of color and of low income; they also stunt growth and innovation. Exclusionary rules make cities, which should be engines of innovation, unaffordable while immiserating the people who live there. Add to that the extraordinary requirements of many zoning laws about housing density and the location of shopping centers, and modern zoning condemns suburbanites to life in their cars. Examining the case of the zoning-free city of Houston, Gray convincingly presses the argument for rethinking and largely abandoning zoning laws as such, writing that these laws usually have only to do with “uses and densities on private land—nothing more, nothing less,” and are largely proscriptive and not prescriptive. Instead, the author urges that precedence be given to planning, which is a different thing entirely, and a planning system that allows for the interlayering of different kinds of housing and other properties that will help make housing more affordable and available and more ecologically sustainable—“green downtown apartments,” say, as opposed to “brown detached homes out on the edge of town.”
A welcome manifesto for rethought urban spaces and their outliers, bringing social justice into the discussion.Pub Date: June 21, 2022
ISBN: 978-1-642-83254-9
Page Count: 248
Publisher: Island Press
Review Posted Online: March 28, 2022
Kirkus Reviews Issue: April 15, 2022
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by Howard Zinn ‧ RELEASE DATE: Jan. 1, 1979
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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by Alok Vaid-Menon ‧ RELEASE DATE: June 2, 2020
A fierce, penetrating, and empowering call for change.
Artist and activist Vaid-Menon demonstrates how the normativity of the gender binary represses creativity and inflicts physical and emotional violence.
The author, whose parents emigrated from India, writes about how enforcement of the gender binary begins before birth and affects people in all stages of life, with people of color being especially vulnerable due to Western conceptions of gender as binary. Gender assignments create a narrative for how a person should behave, what they are allowed to like or wear, and how they express themself. Punishment of nonconformity leads to an inseparable link between gender and shame. Vaid-Menon challenges familiar arguments against gender nonconformity, breaking them down into four categories—dismissal, inconvenience, biology, and the slippery slope (fear of the consequences of acceptance). Headers in bold font create an accessible navigation experience from one analysis to the next. The prose maintains a conversational tone that feels as intimate and vulnerable as talking with a best friend. At the same time, the author's turns of phrase in moments of deep insight ring with precision and poetry. In one reflection, they write, “the most lethal part of the human body is not the fist; it is the eye. What people see and how people see it has everything to do with power.” While this short essay speaks honestly of pain and injustice, it concludes with encouragement and an invitation into a future that celebrates transformation.
A fierce, penetrating, and empowering call for change. (writing prompt) (Nonfiction. 14-adult)Pub Date: June 2, 2020
ISBN: 978-0-593-09465-5
Page Count: 64
Publisher: Penguin Workshop
Review Posted Online: March 14, 2020
Kirkus Reviews Issue: April 1, 2020
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by Shavone Charles ; illustrated by Ashley Lukashevsky
by Leo Baker ; illustrated by Ashley Lukashevsky
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