Comic adventures and serious courage mix well in this middle-grade novel.
In this comedy/horror chapter book, a boy sleepwalks into another world where he must fight a demon.
The night before starting sixth grade, Brady is nervous and can’t sleep. What if other kids hate him, or ignore him, or give him a horrible nickname? “Oh no—they were going to call him Snotface. It was official,” he worries. Finally drifting off, Brady finds himself standing asleep before his mirror, which summons his spirit into another world. A sinister demon tells Brady that he can’t go home until he completes a quest: return the demon’s lost pet beast, Sheila, from the Dangerous Forest. Journeying and noting events in his diary, Brady meets elflike creatures called the Ground Folk, who were chased into the Forest by the demon. They address Brady as “The One.” The Great Elder proposes that Brady act as a Trojan horse and attack the demon with the aid of Sheila, and the Ground Folk will join in. But this plan goes awry, and the Folk, with Brady, retreat to Horizon City. When the demon attacks the city at the head of an army of Molts, similar to dwarves, a fierce battle ensues. With the help of the wise Lady of the City, Brady must test his bravery before returning home to his bed and sixth grade. Shah (Adult Coloring Book Horror Land: Devil’s Child, 2017, etc.) leaves behind his usual comedy gross-out theme for this equally entertaining fantasy adventure. Though the book leans on standard tropes (the portal, the quest, the prophesied savior), Shah doesn’t take them too seriously. Instead, the tropes serve as a framework for comedy, of which there’s plenty, and for Brady’s personal growth. This means not just becoming braver, but more empathetic. When Brady sees his friend Lym and other Ground Folk joining the fight against the demon, he realizes that “I couldn’t let her fight. As brave as she was, she wouldn’t survive.” With new determination, he confronts the demon head-on. Sixth grade will be peanuts.
Comic adventures and serious courage mix well in this middle-grade novel.Pub Date: Oct. 23, 2017
ISBN: N/A
Page Count: 83
Publisher: 99 Pages or Less Publishing
Review Posted Online: Aug. 2, 2017
Kirkus Reviews Issue: Sept. 15, 2017
Review Program: Kirkus Indie
An entrancing book of poetry.
Ungar’s (English/Coll. of Saint Rose; The Origin of the Milky Way, 2007, etc.) new collection may not make her immortal, but it surely establishes her as a contemporary poet of the first rank.
This poetry collection is like a bowl of fruit and cream: it’s so delicious, and it all goes down so easily, that you forget how much nutrition is there. She’s also the rare talent who can take nearly anything and make it into poetry. Everything is ore for her refinery, and she pulls inspiration from numerous and sundry sources, from the natural world to mystical Judaism to an exercise class for the elderly to a student’s essay. (The author is a writing professor.) This last source fuels “On a Student Paper Comparing Emily Dickinson to Lady Gaga,” a poem that no one should ever have tried to write—and that Ungar turns to gold. This clever piece demonstrates the author’s slow turn from skeptical distance to full acceptance of her young author’s thesis; it concludes, “Should I google Lady Gaga? / Or just give the girl an A.” This collection is full of such unlikely experiments—all of which the author pulls off with easy grace. Two poems with “Medusa” in their titles show her admirable dexterity with symbols. The first, “Call Me Medusa,” takes the snake-haired sorceress as a metaphor for the author herself: “I was a brain, eyes and hair. / If not a beauty, are you then a monster? / Some say I was beautiful, raped, punished / for it, then beheaded in a rear-view mirror. / Even cut off, my head could still turn men / to stone.” The second, a poem that gives the collection its title, compares tiny jellyfish to the same mythic figure: “Tentacles resorb, / umbrella reverts, / medusa reattaches / to the ocean floor / and grows a new / colony of polyps / that bud into / identical medusae, / bypassing death.” Thus, Medusa is human and other, dead and deathless, beautiful and terrible and strange.
An entrancing book of poetry.Pub Date: April 1, 2015
ISBN: 978-0-915380-93-0
Page Count: 98
Publisher: The Word Works
Review Posted Online: Aug. 24, 2015
Kirkus Reviews Issue: Oct. 1, 2015
Review Program: Kirkus Indie
A flimsy narrative and excessive scatology.
In Matvejs’ novel, a performer with a traveling circus in the Australian Outback tries to keep her family together in the face of intimidating difficulties.
Rose Vitkovskis loves her life in the circus, despite all its hardships: little money, a sleazy boss pressuring her for sex, constant travel through dusty, dying mining towns, bad weather, etc. Mother of five, she also cares for her much older husband, who has dementia, though she’s in love with a married circus clown. It’s all worth it once she gets in the ring, where she performs on the Spanish web and shows off her trained animals. But when a severe storm scatters the troupe, Rose must rise to a new set of challenges. Though Rose continually refers to the wonder and magic of her profession—her “one passion,” per the title—no book could better cure the reader of a desire to run away and join the circus. Its marvels are asserted but thinly described; instead, the book devotes space to supposedly funny episodes involving a quantity and variety of excrement that readers might not believe possible. Toilets, farts, urine, vomit; feces from human, pig, parrot, horse, goose, monkey, dog; the senile old lady repeating “Piss…piss…piss” and “Chamber pot!”—it never ends. When not playing for laughs, it’s for humiliation, as when Rose is made to scrub some filthy toilets while wearing her circus costume in view of laughing local teenagers. Leaving aside bodily waste, it’s also disturbing to see Rose enjoying her sexual exploitation as she responds to her boss’ “ultimate dominance.” The disgusting elements make it more than a little difficult to buy high-flown statements about wonder and magic and how the real world is a nothing but a jail. Similarly, it’s difficult to buy into the thwarted romance between Rose and Freddy, a circus clown. “It’s the circus that protects our love, isn’t it?” she says. “Beyond this world around the big top, our love could never be.” There’s no such thing as divorce? More unbelievable yet is Rose’s fate after returning to civilization, which involves a naked wish-fulfillment fantasy about her journal being made into a movie.
A flimsy narrative and excessive scatology.Pub Date: Feb. 7, 2012
ISBN: 978-1434911261
Page Count: 316
Publisher: Dorrance Publishing Co.
Review Posted Online: July 13, 2012
Review Program: Kirkus Indie
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