An affecting metaphor for the cycle of life.
A river is born and carried along, from source to sea, where the cycle will begin again.
Striking painted-and-collaged artwork depicts the long journey as the river itself narrates its story, beginning as rain high above in the mountains. Then it tumbles along over stones, through towns, getting ever bigger, “testing [its] boundaries,” merging with other rivers, encountering obstacles and quiet places, until eventually it “meet[s] the great ocean” and “become[s] one” with it. “And then, drop by drop, / I return to the sky. / And I begin again….” Children will quickly notice that though it’s not mentioned in the text, another parallel and similar story is taking place alongside the river’s story in the illustrations. Beginning at the foot of the mountain where the river begins, a human life is also starting. First depicted as a White-presenting babe in arms, the child is seen growing, testing boundaries with a thrilling leap into the river, in due course getting married, encountering obstacles and places of respite, until eventually, just as the river remarks, “There is more of me behind than ahead.” This now-aged adult is last seen in a tiny boat with sea life teeming beneath. “I’m grateful. I let go.” In his debut as an author, Albrecht, an award-winning producer of animated films for children, presents a gentle and approachable view on life and mortality.
An affecting metaphor for the cycle of life. (Picture book. 5-8)Pub Date: April 13, 2021
ISBN: 978-1-944903-96-1
Page Count: 40
Publisher: Cameron + Company
Review Posted Online: March 1, 2021
Kirkus Reviews Issue: March 15, 2021
A good introduction to observation, data, and trying again.
Cece loves asking “why” and “what if.”
Her parents encourage her, as does her science teacher, Ms. Curie (a wink to adult readers). When Cece and her best friend, Isaac, pair up for a science project, they choose zoology, brainstorming questions they might research. They decide to investigate whether dogs eat vegetables, using Cece’s schnauzer, Einstein, and the next day they head to Cece’s lab (inside her treehouse). Wearing white lab coats, the two observe their subject and then offer him different kinds of vegetables, alone and with toppings. Cece is discouraged when Einstein won’t eat them. She complains to her parents, “Maybe I’m not a real scientist after all….Our project was boring.” Just then, Einstein sniffs Cece’s dessert, leading her to try a new way to get Einstein to eat vegetables. Cece learns that “real scientists have fun finding answers too.” Harrison’s clean, bright illustrations add expression and personality to the story. Science report inserts are reminiscent of The Magic Schoolbus books, with less detail. Biracial Cece is a brown, freckled girl with curly hair; her father is white, and her mother has brown skin and long, black hair; Isaac and Ms. Curie both have pale skin and dark hair. While the book doesn’t pack a particularly strong emotional or educational punch, this endearing protagonist earns a place on the children’s STEM shelf.
A good introduction to observation, data, and trying again. (glossary) (Picture book. 5-8)Pub Date: June 19, 2018
ISBN: 978-0-06-249960-8
Page Count: 40
Publisher: Greenwillow Books
Review Posted Online: March 26, 2018
Kirkus Reviews Issue: April 15, 2018
An arguable error of omission and definite errors of commission sink this otherwise attractive effort.
A look at the unique ways that 11 globe-spanning animal species construct their homes.
Each creature garners two double-page spreads, which Cherrix enlivens with compelling and at-times jaw-dropping facts. The trapdoor spider constructs a hidden burrow door from spider silk. Sticky threads, fanning from the entrance, vibrate “like a silent doorbell” when walked upon by unwitting insect prey. Prairie dogs expertly dig communal burrows with designated chambers for “sleeping, eating, and pooping.” The largest recorded “town” occupied “25,000 miles and housed as many as 400 million prairie dogs!” Female ants are “industrious insects” who can remove more than a ton of dirt from their colony in a year. Cathedral termites use dirt and saliva to construct solar-cooled towers 30 feet high. Sasaki’s lively pictures borrow stylistically from the animal compendiums of mid-20th-century children’s lit; endpapers and display type elegantly suggest the blues of cyanotypes and architectural blueprints. Jarringly, the lead spread cheerfully extols the prowess of the corals of the Great Barrier Reef, “the world’s largest living structure,” while ignoring its accelerating, human-abetted destruction. Calamitously, the honeybee hive is incorrectly depicted as a paper-wasps’ nest, and the text falsely states that chewed beeswax “hardens into glue to shape the hive.” (This book was reviewed digitally.)
An arguable error of omission and definite errors of commission sink this otherwise attractive effort. (selected sources) (Informational picture book. 5-8)Pub Date: Sept. 7, 2021
ISBN: 978-1-5344-5625-9
Page Count: 56
Publisher: Beach Lane/Simon & Schuster
Review Posted Online: July 5, 2021
Kirkus Reviews Issue: Aug. 1, 2021
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