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Even though Meghan is fat and Aimee is thin, they have a lot in common: Both use food to cauterize pain and both feel deeply wronged by the same girl. Together, they seek revenge. Meghan’s not just fat—she’s vast, enormous. Silently, she navigates Valley High’s hallways like an unreadable ocean liner. In contrast, Aimee darts from class to class, flinty, fierce and guarded. She’s hound-dog skinny, with sharp bones protruding at her shoulders and knees. George extracts adolescent fears and coping mechanisms with surgical precision. Her startling emotional and physical portraits leave readers captivated. Teens will instantly understand why Meghan and Aimee seek invisibility: When unseen, one’s far less likely to be hurt or exposed. Readers living with eating disorders will find unflinching accounts of binges and starvation as well. Luminous language places teens inside Meghan’s and Aimee’s struggling minds and bodies. (Fiction. 14 & up)

Pub Date: June 12, 2008

ISBN: 978-0-670-06167-9

Page Count: 240

Publisher: Viking

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 2008

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DON'T LET THE FOREST IN

Lush, angsty, queer horror.

When the monsters they imagine come to life, two boys fight for their lives—and each other.

Andrew Perrault, who’s from Australia, writes beautiful, macabre fairy tales. His roommate at his American boarding school, Wickwood Academy, is talented artist Thomas Rye, who brings his stories to vivid life in paint and charcoal. Andrew’s twin sister, Dove, is all but ignoring him, so he has plenty of time to focus on Thomas’ increasingly odd behavior. Thomas’ parents disappeared just before the new school year started, and Andrew noticed blood on his roommate’s sleeve on their first day back. When he follows Thomas into the forest one night, Andrew discovers him fighting one of the monsters that Thomas has drawn from these stories. The boys soon find themselves coping with vicious bullies by day and fighting monsters by night. At the same time, Andrew struggles to reconcile his feelings for Thomas with his growing awareness of his own asexuality. But when the sinister Antler King breaches Wickwood’s walls, Andrew realizes that he and Thomas may not survive their own creations. This novel, written in rich, extravagant prose, features frank portrayals of disordered eating, self-harm, bullying, and mental illness. Andrew grapples realistically with his sexual identity, and the story has ample genuinely creepy moments with the monsters. Andrew, Thomas, and Dove are white.

Lush, angsty, queer horror. (content warning) (Horror. 14-18)

Pub Date: Oct. 29, 2024

ISBN: 9781250895660

Page Count: 336

Publisher: Feiwel & Friends

Review Posted Online: Aug. 3, 2024

Kirkus Reviews Issue: Sept. 1, 2024

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THE SURVIVOR WANTS TO DIE AT THE END

Raw, delicate, and deeply caring.

When Death-Cast doesn’t call, fate intertwines the lives of two boys, both haunted by their pasts and with futures they can’t escape.

In this third installment of the series that opened with 2017’s They Both Die at the End, Paz Dario waits every night for Death-Cast to call—as it should have for his father nearly 10 years ago, when Paz shot him to save his mother’s life. But the call never comes. Death-Cast killed Paz’s dreams of an acting career: No one will hire him now because the world sees him as a villain. When Paz tries (not for the first time) to put an end to his suffering, an unexpected encounter with Alano Rosa, the heir of Death-Cast, stops him. Both in a place of desperation, Alano and Paz sign a contract to live for Begin Days instead of waiting for their End Days. As suspenseful and emotionally wrenching as the previous titles in the series, this new installment explores heavy themes of abuse, mental health, self-harm, and suicide. Paz grapples with a recent diagnosis of borderline personality disorder. Silvera surrounds Alano and Paz with a web of complex relationships. Although the protagonists fall fast for one another and form a deep connection over Alano’s desire to support Paz, Silvera emphasizes the importance of professional help. Both Alano and Paz have Puerto Rican heritage. The cliffhanger ending promises more to come.

Raw, delicate, and deeply caring. (content warning, resources) (Speculative fiction. 14-18)

Pub Date: May 6, 2025

ISBN: 9780063240858

Page Count: 720

Publisher: Quill Tree Books/HarperCollins

Review Posted Online: March 22, 2025

Kirkus Reviews Issue: April 15, 2025

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