The Austins, well-met once, have become increasingly cloying in succeeding books, and Miss L'Engle's philosophic concerns, which gave urgency to A Wrinkle in Time, have begun to seem pretentious, their expression sententious. The Young Unicorns is a kind of aggiornamento of the Austin series and The Arm of the Starfish—via cross-references and a congeries of characters—and Wrinkle. . . the latter because seven-year-old Rob Austin speaks with the same precocious wisdom as Charles Wallace and, in the clinch, withstands evil with the same indomitable innocence: the roles are interchangeable. Coequal with the Austins, who've moved to Manhattan, are two youngsters whom they've absorbed, twelve-year-old Emily, a piano prodigy mysteriously blinded, and Dave, an older misfit who used to run with the Alphabets gang. Dad seems disturbed about his work on a microray instrument; the children are frightened by the materialization of a genie when they rub an antique lamp, by stalking Alphabets everywhere. The plot is labyrinthine, and much of the exposition is borne by the dialogue. It seems that Dad's boss, Dr. Hyde, is plotting with the Bishop of the focal-point Cathedral to take over the city by manipulating the minds of the Alphabets with the microray and he needs a key equation from Dad. . . only it isn't the Bishop, it's his actor-brother who impersonated him after his death. Miss L'Engle envelops these melodramatics in church music and theological speculations; she also writes with an insinuating slickness: the insupportable is readable.
Pub Date: May 15, 1968
ISBN: 0312379331
Page Count: 304
Publisher: Farrar, Straus and Giroux
Review Posted Online: Oct. 17, 2011
Kirkus Reviews Issue: May 1, 1968
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK REVIEW
BOOK REVIEW
A uniquely arranged bouquet of terrors, as disturbing as it is beautiful.
A family’s secrets rise to the surface as a young man investigates a suspected murder.
Evander, who’s 17 and lonely, never leaves his room in the manor on Hazelthorn Estate. He’s told he’s too fragile and is locked away “for his safety” while an elderly butler feeds him brain-addling “medicine.” But one night changes Evander’s life—and the manor’s future—forever. Byron Lennox-Hall, Evander’s billionaire guardian and the family’s patriarch, dies unexpectedly. Relatives descend upon Hazelthorn like vultures as a shocking twist reveals that Byron left everything to Evander alone. Without Byron around to keep his only grandchild and presumed heir, Laurence “Laurie” Lennox-Hall, away from his ward, Laurie and Evander become the unlikeliest of allies. When they were boys, Laurie attempted to kill Evander—but, maddeningly, Evander can’t stop thinking about him. He also suspects that someone murdered Byron. Drews’ latest starts off as a straightforward whodunit and turns into something that’s far more sinister—and delicious. From descriptions of moth-eaten decay to vivid floral imagery, Drews luxuriates in atmospheric prose. Their literary green thumb nurtures intertwining themes of monstrosity and abuse alongside yearning, first love, queerness, and mystery. The slow-burn romance at the root of this blend of gothic and body horror is as tender as it is unforgettable. Evander is cued as autistic, and main characters present white.
A uniquely arranged bouquet of terrors, as disturbing as it is beautiful. (author’s note) (Horror. 13-18)Pub Date: Oct. 28, 2025
ISBN: 9781250376299
Page Count: 368
Publisher: Feiwel & Friends
Review Posted Online: Aug. 2, 2025
Kirkus Reviews Issue: Sept. 1, 2025
BOOK REVIEW
BOOK REVIEW
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