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GOODBYE AND EVERYTHING AFTER

A tender yet funny story about family, grief, and saying goodbye.

A teen in the Philippines gets a second chance to say goodbye after being visited by her father’s ghost.

Five years after her father’s death, Nika Ilagan, a Chinese Filipino 17-year-old, is still struggling with grief, and she’s unhappy with her mother’s decision to remarry. Nika is furious when her mother’s fiancé joins the family while they’re visiting her father’s grave. She storms off in anger and doesn’t pagpag—stop somewhere else on her way home. A Filipino belief says that a spirit can follow you home from a wake, funeral, or cemetery unless you make a detour. Nika dismisses the superstitions that her mom is obsessed with, so she’s shocked when her father’s ghost appears. Realizing that their time together may be limited, Nika wonders if there’s a way to keep Pa here, so she never has to say goodbye again, and she finds herself desperately holding on to what her family used to be. Nika’s palpable grief will particularly resonate with readers who have experienced loss; her personal growth is satisfying as she takes steps towards healing and embracing change. The strong, banter-filled voice and hearty dose of humor balance the emotional weight of the novel. Set in Manila, the novel primarily centers on Chinese Filipino characters, and Tagalog and Hokkien words sprinkled throughout add to the sense of place.

A tender yet funny story about family, grief, and saying goodbye. (trigger warning, glossary) (Fiction. 13-18)

Pub Date: Feb. 17, 2026

ISBN: 9781250293091

Page Count: 320

Publisher: Feiwel & Friends

Review Posted Online: Oct. 25, 2025

Kirkus Reviews Issue: Dec. 1, 2025

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INDIVISIBLE

An ode to the children of migrants who have been taken away.

A Mexican American boy takes on heavy responsibilities when his family is torn apart.

Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.

An ode to the children of migrants who have been taken away. (Fiction. 14-18)

Pub Date: May 4, 2021

ISBN: 978-0-7595-5605-8

Page Count: 400

Publisher: Little, Brown

Review Posted Online: Feb. 22, 2021

Kirkus Reviews Issue: March 15, 2021

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GIRL IN PIECES

This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression.

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  • New York Times Bestseller

After surviving a suicide attempt, a fragile teen isn't sure she can endure without cutting herself.

Seventeen-year-old Charlie Davis, a white girl living on the margins, thinks she has little reason to live: her father drowned himself; her bereft and abusive mother kicked her out; her best friend, Ellis, is nearly brain dead after cutting too deeply; and she's gone through unspeakable experiences living on the street. After spending time in treatment with other young women like her—who cut, burn, poke, and otherwise hurt themselves—Charlie is released and takes a bus from the Twin Cities to Tucson to be closer to Mikey, a boy she "like-likes" but who had pined for Ellis instead. But things don't go as planned in the Arizona desert, because sweet Mikey just wants to be friends. Feeling rejected, Charlie, an artist, is drawn into a destructive new relationship with her sexy older co-worker, a "semifamous" local musician who's obviously a junkie alcoholic. Through intense, diarylike chapters chronicling Charlie's journey, the author captures the brutal and heartbreaking way "girls who write their pain on their bodies" scar and mar themselves, either succumbing or surviving. Like most issue books, this is not an easy read, but it's poignant and transcendent as Charlie breaks more and more before piecing herself back together.

This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression. (author’s note) (Fiction. 14 & up)

Pub Date: Aug. 30, 2016

ISBN: 978-1-101-93471-5

Page Count: 416

Publisher: Delacorte

Review Posted Online: May 3, 2016

Kirkus Reviews Issue: May 15, 2016

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