A sports novel offering a historical perspective.
A girl in 1970s Brooklyn gets the chance to make her future playing ball in Hill’s debut novel.
Claire Joyce loves basketball. John, one of her brothers, is a high school basketball star, though the kind of ball John and the other boys play is different from the sport available to girls like Claire—only certain “roving” players can move around the whole court in the girls’ games, and they have to wear restrictive uniforms featuring collars, skirts, and belts. Changes may be on the horizon, though: “Congress is looking at a bill that will allow girls to have equal access to sports money in federally funded programs,” John tells her. “If that passes, you might even be able to play basketball and get college funded, too.” Basketball also provides a welcome escape from life at home; Claire and her siblings contend with their alcoholic mother while their father, a cab driver, works nights and sleeps all day. Bobby, another brother, is quiet but prone to sudden acts of violence, while the gentle John increasingly gets into trouble with drugs and the law. Just as John predicted, Title IX goes into effect. Suddenly, girls’ basketball is a big deal—big enough that it might mean Claire could get a college scholarship and escape the claustrophobic environs of Irish Catholic Brooklyn. Hill’s prose is muscular and matter-of-fact, much like the maxims that govern Claire’s actions on the court: “When we’re stupid, we think our shot is the only answer. One of our exercises during official practice is to constantly pass the ball, looking for the open person…The coach always says we have to play smart. Eyes out for the open player. Hold back, measure up, break out.” The plot suffers slightly from a sense of inevitably—Claire’s path is always certain, as is John’s—which gives the pacing a somewhat torpid quality. Even so, Hill captures a watershed moment in the history of sports in a way that highlights how transformative athletics can be, especially in the lives of young women.
A sports novel offering a historical perspective.Pub Date: May 1, 2024
ISBN: N/A
Page Count: 209
Publisher: manuscript
Review Posted Online: Jan. 12, 2024
Review Program: Kirkus Indie
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
SEEN & HEARD
A pleasant if not entirely convincing tribute to the power of art.
A French art historian’s English-language fiction debut combines the story of a loving relationship between a grandfather and granddaughter with an enlightening discussion of art.
One day, when 10-year-old Mona removes the necklace given to her by her now-dead grandmother, she experiences a frightening, hour-long bout of blindness. Her parents take her to the doctor, who gives her a variety of tests and also advises that she see a psychiatrist. Her grandfather Henry tells her parents that he will take care of that assignment, but instead, he takes Mona on weekly visits to either the Louvre, the Musée d’Orsay, or the Centre Pompidou, where each week they study a single work of art, gazing at it deeply and then discussing its impact and history and the biography of its maker. For the reader’s benefit, Schlesser also describes each of the works in scrupulous detail. As the year goes on, Mona faces the usual challenges of elementary school life and the experiences of being an only child, and slowly begins to understand the causes of her temporary blindness. Primarily an amble through a few dozen of Schlesser’s favorite works of art—some well known and others less so, from Botticelli and da Vinci through Basquiat and Bourgeois—the novel would probably benefit from being read at a leisurely pace. While the dialogue between Henry and the preternaturally patient and precocious Mona sometimes strains credulity, readers who don’t have easy access to the museums of Paris may enjoy this vicarious trip in the company of a guide who focuses equally on that which can be seen and the context that can’t be. Come for the novel, stay for the introductory art history course.
A pleasant if not entirely convincing tribute to the power of art.Pub Date: Aug. 26, 2025
ISBN: 9798889661115
Page Count: 432
Publisher: Europa Editions
Review Posted Online: June 7, 2025
Kirkus Reviews Issue: July 15, 2025
SEEN & HEARD
SEEN & HEARD
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