An uneven interpretation of Hinduism’s baby Krishna myths.
Raising a young god comes with myriad challenges.
In this tale set in ancient India, a woman named Yashoda gives birth to a blue-skinned baby named Krishna. Yashoda and her husband, Nanda, raise the boy in their village among their fellow cowherders and their families. From the beginning, Krishna is mischievous, pulling the animals’ tails even before he learns to walk, stealing butter, and feeding stolen sweets to the local monkeys. Time after time, the village women ask Yashoda to discipline her naughty child, and time after time, Krishna proves too adorable and sweet to punish. When Krishna is 6, his father gives him the responsibility of helping to drive the cattle to the pasture. A bored Krishna entertains himself by playing a reed flute given to him by a monkey. When he returns home, the cows give very little milk, and the villagers are sure that Krishna is to blame. Finally, when another child says that Krishna is eating dirt, he opens his mouth and shows his mother the universe, revealing to her that he was actually a god all along. While the story is well written, it ends abruptly, never resolving the central tension among Krishna, Yashoda, and the villagers or fully explaining Krishna’s positioning as a trickster. The illustrations feature exclusively light-skinned characters, erasing the diversity of skin tone prevalent in Indian villages. (This book was reviewed digitally.)
An uneven interpretation of Hinduism’s baby Krishna myths. (Picture book. 4-7)Pub Date: Jan. 31, 2023
ISBN: 9781627311328
Page Count: 32
Publisher: Feral House
Review Posted Online: Nov. 22, 2022
Kirkus Reviews Issue: Dec. 15, 2022
An upbeat holiday tale marred by spotty logic.
An unusual Hanukkah miracle.
On the first night of Hanukkah, Ruthie’s parents give her a pair of holiday-themed “pajamakkahs.” Dad says that she can wear them to the family’s “Hanukkah Pajamakkah Party” on the eighth night. Ruthie wants to wear them “all eight nights.” Mom agrees but tells her to keep them “spotless.” Despite Ruthie’s precautions, she accrues myriad stains as she helps cook latkes, lights the menorah, does arts and crafts, and crashes into a pile of jelly doughnuts. But there are no spots here, says Ruthie—just “streaks,” “splotches,” “sparkles,” and “squishes.” On the final night of Hanukkah, the whole family and even the dog sport pajamakkahs of their own. Mom’s aghast at Ruthie’s pj’s. Dad says it’s a miracle they lasted eight nights, but he sees spots. “Dotted, not spotted,” Ruthie counters. Other, racially diverse, pajama-clad family members arrive. Ruthie twirls the dreidel and, inexplicably, causes a whirlwind, upending latkes, art supplies, and more. Are those spots on Ruthie’s pajamakkahs at last? Finally, Ruthie says, “a Hanukkah miracle!” This thinly plotted, only mildly amusing story is rife with logical holes. Even the youngest readers won’t believe Ruthie’s parents didn’t insist the badly soiled pj’s should get tossed in the washer sooner. It isn’t clear what’s so miraculous about Ruthie’s dirty jammies, and the child’s literalness wears thin. The cheerful, digitally created illustrations feature familiar Hanukkah symbols but are otherwise undistinguished. Ruthie and her immediate family are pale-skinned.
An upbeat holiday tale marred by spotty logic. (Picture book. 4-7)Pub Date: Sept. 3, 2024
ISBN: 9781728284576
Page Count: 40
Publisher: Sourcebooks Jabberwocky
Review Posted Online: Aug. 3, 2024
Kirkus Reviews Issue: Sept. 1, 2024
Low-key and gentle; a book to be thankful for.
Spinelli lists many things for which people are thankful.
The pictures tell a pleasing counterpoint to this deceptively simple rhyme. It begins “The waitress is thankful for comfortable shoes. / The local reporter, for interesting news.” The pictures show a little girl playing waitress to her brother, who playacts the reporter. The news gets interesting when the girl trips over the (omnipresent) cat. As the poem continues, the Caucasian children and their parents embody all the different roles and occupations it mentions. The poet is thankful for rhyme and the artist, for light and color, although the girl dancer is not particularly pleased with her brother’s painterly rendition of her visual art. The cozy hotel for the traveler is a tent for the siblings in the backyard, and the grateful chef is their father in the kitchen. Even the pastor (the only character mentioned who is not a family member) is grateful, as he is presented with a posy from the girl, for “God’s loving word.” The line is squiggly and energetic, with pastel color and figures that float over white space or have whole rooms or gardens to roam in. Both children, grateful for morning stories, appear in a double-page spread surrounded by books and stuffed toys as their mother reads to them—an image that begs to be a poster.
Low-key and gentle; a book to be thankful for. (Picture book. 4-7)Pub Date: Sept. 1, 2015
ISBN: 978-0-310-00088-4
Page Count: 32
Publisher: Zonderkidz
Review Posted Online: May 17, 2015
Kirkus Reviews Issue: June 15, 2015
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