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BEAUTY AND THE BEAST

A beautiful retelling that may well daunt readers accustomed to the far shorter picture-book texts of today

Lush, intricate oil paintings distinguish this retelling of Jeanne-Marie Leprince de Beaumont’s 18th-century version of the familiar fairy tale.

While the Beast is present, lurking behind Beauty, on the jacket, the intricately detailed paintings do far more to emphasize beauty than beastliness. Almost each recto holds an illustration, laden with decorative embellishments in setting, characters’ dress, and the material culture of the setting, while the facing versos are text-heavy with Mahlon Craft’s retelling, which is laid out with ornate historiated initials. Exceptions to this design arise at full, wordless double-page spreads punctuating the verbal narration at key points in the tale: when Beauty first rides to Beast’s castle; when she enjoys the splendors there; when she cradles the near-dead Beast in her arms. These moments highlight Beauty as the protagonist even though Beast is the one who transforms at book’s end, when his blond, rosy appearance confirms an all-white cast of characters. Indeed, apart from his jacket appearance, he appears in beast form only three times. This speaks to a pacing problem in the book: lengthy blocks of text covering lots of narrative ground seem at odds with the finite moments depicted in the facing illustrations. While the gorgeous intricacy of the illustrations invites poring over, readers may miss details from the text that are excluded from the art.

A beautiful retelling that may well daunt readers accustomed to the far shorter picture-book texts of today . (Picture book. 6-10)

Pub Date: July 26, 2016

ISBN: 978-0-06-053919-1

Page Count: 32

Publisher: Harper/HarperCollins

Review Posted Online: April 12, 2016

Kirkus Reviews Issue: May 1, 2016

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GROWING HOME

Charming.

An assortment of unusual characters form friendships and help each other become their best selves.

Mr. and Mrs. Tupper, who live at Number 3 Ramshorn Drive, are antiquarians. Their daughter, Jillian, loves and cares for a plant named Ivy, who has “three speckles on each leaf and three letters in her name.” Toasty, the grumpy goldfish, lives in an octagonal tank and wishes he were Jillian’s favorite; when Arthur the spider arrives inside an antique desk, he brings wisdom and insight. Ollie the violet plant, Louise the bee, and Sunny the canary each arrive with their own quirks and problems to solve. Each character has a distinct personality and perspective; sometimes they clash, but more often they learn to empathize, see each other’s points of view, and work to help one another. They also help the Tupper family with bills and a burglar. The Fan brothers’ soft-edged, old-fashioned, black-and-white illustrations depict Toasty and Arthur with tiny hats; Ivy and Ollie have facial expressions on their plant pots. The Tuppers have paper-white skin and dark hair. The story comes together like a recipe: Simple ingredients combine, transform, and rise into something wonderful. In its matter-of-fact wisdom, rich vocabulary (often defined within the text), hint of magic, and empathetic nonhuman characters who solve problems in creative ways, this delightful work is reminiscent of Ferris by Kate DiCamillo, Our Friend Hedgehog by Lauren Castillo, and Ivy Lost and Found by Cynthia Lord and Stephanie Graegin.

Charming. (Fiction. 6-9)

Pub Date: May 27, 2025

ISBN: 9781665942485

Page Count: 272

Publisher: Simon & Schuster

Review Posted Online: Feb. 15, 2025

Kirkus Reviews Issue: March 15, 2025

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THE MYSTERIOUS MESSENGER

An effort as insubstantial as any spirit.

Eleven-year-old Maria Russo helps her charlatan mother hoodwink customers, but Maria has a spirited secret.

Maria’s mother, the psychic Madame Destine, cons widows out of their valuables with the assistance of their apartment building’s super, Mr. Fox. Madame Destine home-schools Maria, and because Destine is afraid of unwanted attention, she forbids Maria from talking to others. Maria is allowed to go to the library, where new librarian Ms. Madigan takes an interest in Maria that may cause her trouble. Meanwhile, Sebastian, Maria’s new upstairs neighbor, would like to be friends. All this interaction makes it hard for Maria to keep her secret: that she is visited by Edward, a spirit who tells her the actual secrets of Madame Destine’s clients via spirit writing. When Edward urges Maria to help Mrs. Fisher, Madame Destine’s most recent mark, Maria must overcome her shyness and her fear of her mother—helping Mrs. Fisher may be the key to the mysterious past Maria uncovers and a brighter future. Alas, picture-book–creator Ford’s middle-grade debut is a muddled, melodramatic mystery with something of an everything-but-the-kitchen-sink feel: In addition to the premise, there’s a tragically dead father, a mysterious family tree, and the Beat poets. Sluggish pacing; stilted, unrealistic dialogue; cartoonishly stock characters; and unattractive, flat illustrations make this one to miss. Maria and Sebastian are both depicted with brown skin, hers lighter than his; the other principals appear to be white.

An effort as insubstantial as any spirit. (author’s note) (Paranormal mystery. 7-10)

Pub Date: July 21, 2020

ISBN: 978-1-250-20567-4

Page Count: 320

Publisher: Christy Ottaviano/Henry Holt

Review Posted Online: March 28, 2020

Kirkus Reviews Issue: April 15, 2020

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