This sober and well-constructed adventure accurately conveys the geopolitical instability of the era and is leavened with...
“Our work is an ongoing struggle with unintended consequences,” says Marcus Burrows, the titular apothecary of Meloy’s previous novel for young adults (2011).
The work to which he refers is using alchemy to halt the spread of nuclear weapons in the 1950s, and in this sequel, he is joined in his quest again by the resourceful and quick-witted 16-year-old Janie Scott. Meloy’s deft exposition sets the stage swiftly, so that when the boarding school where Janie has been sent for safekeeping is quickly revealed as a treacherous place and her bogus expulsion in the second chapter plunges her into action, readers already understand her history. The narration shifts among Janie and her allies: Benjamin Burrows, the apothecary’s brave son; Pip, the wily London con artist; and Jin Lo, the tortured Chinese chemist. This mirrors their experiences when they discover an elixir that enables them to see through one another’s eyes while they cross the globe to reunite, head off nuclear disaster and cope with the fallout from their own alchemical experimentation. The denouement leaves room for both optimism and a third (as yet unconfirmed) installment.
This sober and well-constructed adventure accurately conveys the geopolitical instability of the era and is leavened with just enough magic, chaste romance and humor to appeal to middle-grade readers through teens. (art not seen) (Historical fantasy. 10-14)Pub Date: June 4, 2013
ISBN: 978-0-399-16245-9
Page Count: 432
Publisher: Putnam
Review Posted Online: April 9, 2013
Kirkus Reviews Issue: May 1, 2013
Kibuishi gives his epic tale a hefty nudge toward its long-building climax while giving readers plenty of reasons to stick...
Stonekeeper Emily frees the elves from their monstrous masked ruler and sets out to rejoin her brother and mother in the series’ penultimate episode.
The multistranded storyline picks up with Emily’s return to the world of Alledia. Now a fiery, destructive phoenix struggling to regain control of her actions, Emily goes on to follow her brother Navin and allies as they battle invading shadows on the nearby world of Typhon, then switches back to human form for a climactic confrontation with the Elf King—in the course of which Emily rips off his mask to a chorus of “ERGH!! NO!!! GRAH! RRGH!! AAAGH!” to expose a rousingly hideous face. Cute animal heads on many figures (the result of a curse) and a scene with benevolent-looking trees provide at least a bit of relief from the grim expressions that all the human and humanoid elven characters almost invariably wear. But along with emphatic sound effects, the battle and action scenes in the cleanly drawn, if sometimes cramped, panels feature huge blasts of fire or energy, intricately detailed giant robots, weirdly eyeless monsters, and wild escapades aplenty to keep the pace’s pedal to the metal. Aliens and AIs in the cast come in a variety of hues, elves are a uniform gray, and except for a brief encounter between Emily and a slightly darker lad, the (uncursed) humans default to white.
Kibuishi gives his epic tale a hefty nudge toward its long-building climax while giving readers plenty of reasons to stick around for it. (Graphic fantasy. 10-12)Pub Date: Sept. 25, 2018
ISBN: 978-0-545-85002-5
Page Count: 208
Publisher: Graphix/Scholastic
Review Posted Online: July 23, 2018
Kirkus Reviews Issue: Aug. 15, 2018
Narrow squeaks aplenty combine with bursts of lyrical prose for a satisfying adventure
A Prohibition-era child enlists a gifted pickpocket and a pair of budding circus performers in a clever ruse to save her ancestral home from being stolen by developers.
Rundell sets her iron-jawed protagonist on a seemingly impossible quest: to break into the ramshackle Hudson River castle from which her grieving grandfather has been abruptly evicted by unscrupulous con man Victor Sorrotore and recover a fabulously valuable hidden emerald. Laying out an elaborate scheme in a notebook that itself turns out to be an integral part of the ensuing caper, Vita, only slowed by a bout with polio years before, enlists a team of helpers. Silk, a light-fingered orphan, aspiring aerialist Samuel Kawadza, and Arkady, a Russian lad with a remarkable affinity for and with animals, all join her in a series of expeditions, mostly nocturnal, through and under Manhattan. The city never comes to life the way the human characters do (Vita, for instance, “had six kinds of smile, and five of them were real”) but often does have a tangible presence, and notwithstanding Vita’s encounter with a (rather anachronistically styled) “Latina” librarian, period attitudes toward race and class are convincingly drawn. Vita, Silk, and Arkady all present white; Samuel, a Shona immigrant from Southern Rhodesia, is the only primary character of color. Santoso’s vignettes of, mostly, animals and small items add occasional visual grace notes.
Narrow squeaks aplenty combine with bursts of lyrical prose for a satisfying adventure . (Historical fiction. 11-13)Pub Date: Aug. 27, 2019
ISBN: 978-1-4814-1948-2
Page Count: 272
Publisher: Simon & Schuster
Review Posted Online: May 25, 2019
Kirkus Reviews Issue: June 15, 2019
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