The fun here is in getting to the silly resolution, not achieving it.
Danger threatens when Harper falls for the perfect boyfriend, maybe.
Harper can’t believe that sensitive, handsome Logan really wants her to be his exclusive girlfriend. She’s just a farm girl who doesn’t even wear makeup. But Logan sweeps her off her feet and seems to feel the same about her. When disturbing things begin to happen around town—birds fall, dead, from the sky, bloody bones turn up in mailboxes, red handprints cover students’ cars—no one can make any sense of it. Harper has her suspicions, however, once she meets someone she didn’t even know existed: Daemon, Logan’s identical twin brother. Daemon enjoys violence and deliberately frightens Harper. Harper grows more suspicious of Daemon when a sabotaged motorbike sends her to the hospital, and someone nearly kills her friend. She investigates and learns about some things in Logan’s past that he has hidden. Still, she’s so attracted to him, and he begs her so effectively to stay, that she continues the relationship, and that decision could lead to her death. Hubbard begins with an exciting, frightening chase scene then flashes back to tell the story in sequence. Astute readers will pick up on the solution to the mystery from miles away, but that only heightens the suspense, especially as they have already tasted that chase scene. The difficulty here is the cop-out, too-easy resolution: The author briefly presents an interesting, realistic scenario to explain the mystery but bows to current trends and pushes a nonsensical paranormal solution instead. What a shame.
The fun here is in getting to the silly resolution, not achieving it. (Paranormal suspense. 12 & up)Pub Date: Aug. 30, 2012
ISBN: 978-1-59514-511-6
Page Count: 288
Publisher: Razorbill/Penguin
Review Posted Online: May 22, 2012
Kirkus Reviews Issue: June 15, 2012
BOOK REVIEW
BOOK REVIEW
PROFILES
This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression.
After surviving a suicide attempt, a fragile teen isn't sure she can endure without cutting herself.
Seventeen-year-old Charlie Davis, a white girl living on the margins, thinks she has little reason to live: her father drowned himself; her bereft and abusive mother kicked her out; her best friend, Ellis, is nearly brain dead after cutting too deeply; and she's gone through unspeakable experiences living on the street. After spending time in treatment with other young women like her—who cut, burn, poke, and otherwise hurt themselves—Charlie is released and takes a bus from the Twin Cities to Tucson to be closer to Mikey, a boy she "like-likes" but who had pined for Ellis instead. But things don't go as planned in the Arizona desert, because sweet Mikey just wants to be friends. Feeling rejected, Charlie, an artist, is drawn into a destructive new relationship with her sexy older co-worker, a "semifamous" local musician who's obviously a junkie alcoholic. Through intense, diarylike chapters chronicling Charlie's journey, the author captures the brutal and heartbreaking way "girls who write their pain on their bodies" scar and mar themselves, either succumbing or surviving. Like most issue books, this is not an easy read, but it's poignant and transcendent as Charlie breaks more and more before piecing herself back together.
This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression. (author’s note) (Fiction. 14 & up)Pub Date: Aug. 30, 2016
ISBN: 978-1-101-93471-5
Page Count: 416
Publisher: Delacorte
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: May 15, 2016
A heavy read about the harsh realities of tragedy and their effects on those left behind.
In this companion novel to 2013’s If He Had Been With Me, three characters tell their sides of the story.
Finn’s narrative starts three days before his death. He explores the progress of his unrequited love for best friend Autumn up until the day he finally expresses his feelings. Finn’s story ends with his tragic death, which leaves his close friends devastated, unmoored, and uncertain how to go on. Jack’s section follows, offering a heartbreaking look at what it’s like to live with grief. Jack works to overcome the anger he feels toward Sylvie, the girlfriend Finn was breaking up with when he died, and Autumn, the girl he was preparing to build his life around (but whom Jack believed wasn’t good enough for Finn). But when Jack sees how Autumn’s grief matches his own, it changes their understanding of one another. Autumn’s chapters trace her life without Finn as readers follow her struggles with mental health and balancing love and loss. Those who have read the earlier book will better connect with and feel for these characters, particularly since they’ll have a more well-rounded impression of Finn. The pain and anger is well written, and the novel highlights the most troublesome aspects of young adulthood: overconfidence sprinkled with heavy insecurities, fear-fueled decisions, bad communication, and brash judgments. Characters are cued white.
A heavy read about the harsh realities of tragedy and their effects on those left behind. (author’s note, content warning) (Fiction. 14-18)Pub Date: Feb. 6, 2024
ISBN: 9781728276229
Page Count: 416
Publisher: Sourcebooks Fire
Review Posted Online: Jan. 5, 2024
Kirkus Reviews Issue: Feb. 1, 2024
BOOK REVIEW
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