A surprisingly erudite bit of sci-fi that throws in everything but the kitchen sink.
A clash of swords, spells, and wills erupts in an upper Manhattan office building under assault by well-armed mercenaries.
A dense mythology threatens to undermine this frenetic action novel by award-winning short story writer Gonzales (The Miniature Wife, 2013), but the author just manages to wobble to the end of a novel rife with paranormal forces, violence, and revenge. Much of the exposition comes from selections from a nonfiction history of “The Regional Office,” a shadowy organization operating under the cover of an extreme-travel concierge service for wealthy clients. The firm’s equally murky mission is to protect the world from evil forces using Oracles seemingly plucked wholesale from Philip K. Dick’s "Minority Report" and homegrown female assassins who wouldn’t be out of place in The Matrix. The action of the assault centers on two women: Rose, who leads a team of traitorous operatives in attacking the venerable institution, and agency executive Sarah, who fiercely defends her office with speed, strength, and a badass mechanical arm. There’s also something of a love story buried beneath all the chaos, involving Rose’s mentor, Henry, and the woman for whom he abandons his allegiance to the Regional Office. But stripped down to its essentials, the novel is a hyperkinetic sci-fi set piece along the lines of Die Hard seeded with paranormal elements cribbed from half a dozen other franchises and the absent-parent grudges that fuel any number of teen novels. At times, the book struggles to regain its brisk pace as Gonzales plumbs flashbacks, interludes, and the conveniently parallel history of the Regional Office to flesh out characters, back story, and motives. Nevertheless, genre enthusiasts will love the spooky cyberpunk spirit at play here, and resolute readers will be rewarded with an unexpected ending that ratchets up the action long after the Regional Office has been abandoned.
A surprisingly erudite bit of sci-fi that throws in everything but the kitchen sink.Pub Date: April 12, 2016
ISBN: 978-1-59463-241-9
Page Count: 416
Publisher: Riverhead
Review Posted Online: Jan. 9, 2016
Kirkus Reviews Issue: Jan. 15, 2016
BOOK REVIEW
PROFILES
As in Resurrection (1966) and The Wreckage of Agathon (1970) Gardner demonstrates his agility at juggling metaphysical notions while telling a diverting tale. Here he has used as a means of discovering man's unsavory ways that muzziest of monsters, Grendel, from the Beowulf chronicle. As in the original, Grendel is a bewildering combination of amorphous threats and grisly specifics — he bellows in the wilds and crunches through hapless inhabitants of the meadhall. But Grendel, the essence of primal violence, is also a learning creature. Itc listens to a wheezing bore with scales and coils, a pedantic Lucifer, declaim on the relentless complexity of cosmic accident. He hears an old priest put in a word for God as unity of discords, where nothing is lost. And Grendel continues to observe the illusions of bards, kings, heroes, and soldiers, occasionally eating one. After the true hero arrives sprouting fiery wings, to deal the death blow, he shows Grendel the reality of both destruction and rebirth. Throughout the trackless philosophic speculation, the dialogue is witty and often has a highly contemporary tilt: "The whole shit-ass scene was his idea, not mine," says Grendel, disgusted by a sacrificial hero. At the close one is not sure if the savior is "blithe of his deed," but Gardner, the word-pleaser, should be.
Pub Date: Sept. 17, 1971
ISBN: 0679723110
Page Count: 186
Publisher: Knopf
Review Posted Online: March 29, 2012
Kirkus Reviews Issue: Sept. 1, 1971
After years of unprepossessing folderol—the wearisome Nine Princes in Amber retreads are depressingly typical—Zelazny bursts forth with, well, ``Victorian light supernatural fantasy'' just about covers it. Narrator Snuff, a guard dog who performs complex thaumaturgical calculations in his head, has many duties: to keep various Things firmly trapped in mirrors, wardrobes, and steamer trunks; to accompany his master, Jack—he of the magical blade—on weird collecting expeditions into the graveyards and slums of Victorian London; and—for a single hour each night—discuss the day's goings-on in human speech. Snuff's neighbors include: Jill the witch and her familiar, Graymalk the cat, with whom Snuff forms a friendly alliance; Sherlock Holmes, Dr. Frankenstein, Dracula, a werewolf, and a satanic vicar. The witches, detectives, doctors, vampires, etc., along with their equally industrious familiars, trade information and scheme for advantage as the full moon of Halloween approaches; at that time, a magical showdown to decide the fate of the Earth will occur. Some of the characters are ``openers,'' determined to open a magical doorway allowing the Old Gods to reoccupy the Earth; others are ``closers,'' equally resolved to keep the magical door nailed shut; and a few are involved yet stand outside the Game altogether. Snuff's problem is to discover who is which. Sparkling, witty, delightful: Zelazny's best for ages, perhaps his best ever.
Pub Date: Aug. 1, 1993
ISBN: 0-688-12508-5
Page Count: 288
Publisher: Morrow/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 15, 1993
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