Delicious.
It’s dim sum time!
Every Sunday, a child’s family meets at a dim sum restaurant, and right from the first page (or even the delectable endpapers), the excitement is palpable. This is going to be a full-on experience. Bright watercolor illustrations outlined lightly with colored pencil offer a charming view of this apparently Chinese extended family of a dozen members. The narrator exudes enthusiasm with expressive dot eyes and a wide mouth as they greet everyone and enter the restaurant. There’s a wait, but Uncle Irvin takes the cousins around the restaurant to see the good-fortune kumquat plant, the good-luck cat statue, and the fish tank. Then it’s time to eat. There’s jasmine tea and carts stacked high with bamboo baskets full of food—too many dim sum options to choose from. Lam’s love of both dim sum and family is infectious, and she deftly weaves cultural details into the story, such as family members tapping their fingers to thank Uncle Jeremy for refilling hot tea for everyone. “Tap tap tap! Tap tap tap! Tapping your finger on the table means thank you.” Grandma also teaches the child to wait their turn for the Lazy Susan. The spread listing every person it passes on its way around is delightfully suspenseful, worth the char siu bun at the end. Every small pleasure of this outing seems thrilling, but there’s also a comfortable ease to this family, shown in all their loving ways. (This book was reviewed digitally.)
Delicious. (Picture book. 4-8)Pub Date: Jan. 3, 2023
ISBN: 978-0-06-239698-3
Page Count: 40
Publisher: Harper/HarperCollins
Review Posted Online: Nov. 15, 2022
Kirkus Reviews Issue: Dec. 1, 2022
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Menacing and most likely to appeal to established fans of its co-creators.
Existing artwork from an artistic giant inspires a fairy-tale reimagination by a master of the horror genre.
In King’s interpretation of a classic Brothers Grimm story, which accompanies set and costume designs that the late Sendak created for a 1997 production of Engelbert Humperdinck’s opera, siblings Hansel and Gretel survive abandonment in the woods and an evil witch’s plot to gobble them up before finding their “happily ever after” alongside their father. Prose with the reassuring cadence of an old-timey tale, paired with Sendak’s instantly recognizable artwork, will lull readers before capitalizing on these creators’ knack for injecting darkness into seemingly safe spaces. Gaping faces loom in crevices of rocks and trees, and a gloomy palette of muted greens and ocher amplify the story’s foreboding tone, while King never sugarcoats the peach-skinned children’s peril. Branches with “clutching fingers” hide “the awful enchanted house” of a “child-stealing witch,” all portrayed in an eclectic mix of spot and full-bleed images. Featuring insults that might strike some as harsh (“idiot,” “fool”), the lengthy, dense text may try young readers’ patience, and the often overwhelmingly ominous mood feels more pitched to adults—particularly those familiar with King and Sendak—but an introduction acknowledges grandparents as a likely audience, and nostalgia may prompt leniency over an occasional disconnect between words and art.
Menacing and most likely to appeal to established fans of its co-creators. (Picture book. 4-8)Pub Date: Sept. 2, 2025
ISBN: 9780062644695
Page Count: 48
Publisher: Harper/HarperCollins
Review Posted Online: Aug. 15, 2025
An endearing ode to big siblinghood.
A buffalo is disconcerted when his daily routine is disrupted by a newborn.
Kalb begins with the playful rhymes and rhythms she employed in Buffalo Fluffalo (2024). Fluffalo, having learned a lesson in cooperation in his earlier outing, happily cavorts with Ram, Crow, and Prairie Dog before enjoying some thoughtful alone time and then settling down to sleep at dusk. A loud wailing sound wakes him at dawn and continues into daybreak. “‘What could that be?’ huffed tired old Fluffalo. / ‘I’ve said it before—I’ve had enuffalo!’” When he discovers that the sound is coming from a tiny buffalo, he becomes both irate and alarmed. Fortunately, his friends show up and assure him that the little one just needs some time to learn and grow. Fluffalo calms down and admits that the baby is a bit cute—something readers will have already realized, thanks to Kraan’s sweetly imaginative art. In the ensuing pages, Fluffalo mentors the loving Puffalo, including the baby in his daily activities and fielding (some of) Puff’s many questions. Readers with younger siblings will appreciate the subtle acknowledgment that Fluffalo’s new role can be taxing, but overall, the tale affirms the joy of mentoring, while the colorful, stylized art perfectly complements the upbeat verse. It’s easy to imagine an older child reading this story to a younger one at bedtime.
An endearing ode to big siblinghood. (Picture book. 4-8)Pub Date: Sept. 30, 2025
ISBN: 9780593810309
Page Count: 40
Publisher: Random House Studio
Review Posted Online: June 13, 2025
Kirkus Reviews Issue: July 15, 2025
BOOK REVIEW
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