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THE LASSO UNRAVELS

WHEN ALL HELL BREAKS LOOSE

A futuristic space opera with an overwhelming plot but engaging talk.

In Corwin’s SF novel, Earth is under attack—and our heroes aren’t sure they’re the good guys.

In the year 2140, far out in space, Lieutenant Janet “Cat” Miles and her crewmates check the room where they had placed the body of their dead commander, Jason Cody, only to find it missing. As they investigate the now-empty room, a star map appears, showing the Laniakea cluster of galaxies (including the Milky Way) and the words “Time is running out.” The map disappears, leaving the crew even more confused than before, with no body, no map, and no clue as to what it all means. Soon after, a religious leader from Earth named Frane Paxton manages to contact the ship, informing the crew about a blockade around Earth set by unknown assailants and requesting their aid. Paxton asks them to send one of the crewmembers to Earth, alone and cloaked, to assess the situation and find a way to save the planet. Cat is assigned to the mission, but the lonely journey to Earth leaves her questioning her humanity. Back on the ship, Cat’s crewmates discover that records of Cat’s medical examinations have gone missing and that she interrogated prisoners without any backup or security in sessions that ended in bloodshed. How is the crew supposed to save Earth from an unknown enemy when they can’t even trust each other? This expansive SF novel is a direct sequel to the author’s The Optical Lasso (2019), and readers are advised to read the books in order, since much of this novel’s story will be confusing without the necessary background knowledge. Corwin weaves an intricate web of human, alien, and robotic constructs, and it’s not always clear who the good and bad guys really are. While some aspects of the complex narrative may be confusing or tough to follow, the author excels at banter between friendly characters (“‘Don’t you find all this very interesting, Miss Miles.’ Cat countered with a long cold stare, ‘Are you attempting to channel your inner Sergeant Schultz, doctor?’”), and dialogue in general.

A futuristic space opera with an overwhelming plot but engaging talk.

Pub Date: Dec. 20, 2023

ISBN: 9798872593584

Page Count: 480

Publisher: The Moving Words

Review Posted Online: March 2, 2024

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DEVOLUTION

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

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WHAT WE CAN KNOW

A philosophically charged tour de force by one of the best living novelists in English.

A gravely post-apocalyptic tale that blends mystery with the academic novel.

McEwan’s first narrator, Thomas Metcalfe, is one of a vanishing breed, a humanities professor, who on a spring day in 2119, takes a ferry to a mountain hold, the Bodleian Snowdonia Library. The world has been remade by climate change, the subject of a course he teaches, “The Politics and Literature of the Inundation.” Nuclear war has irradiated the planet, while “markets and communities became cellular and self-reliant, as in early medieval times.” Nonetheless, the archipelago that is now Britain has managed to scrape up a little funding for the professor, who is on the trail of a poem, “A Corona for Vivien,” by the eminent poet Francis Blundy. Thanks to the resurrected internet, courtesy of Nigerian scientists, the professor has access to every bit of recorded human knowledge; already overwhelmed by data, scholars “have robbed the past of its privacy.” But McEwan’s great theme is revealed in his book’s title: How do we know what we think we know? Well, says the professor of his quarry, “I know all that they knew—and more, for I know some of their secrets and their futures, and the dates of their deaths.” And yet, and yet: “Corona” has been missing ever since it was read aloud at a small party in 2014, and for reasons that the professor can only guess at, for, as he counsels, “if you want your secrets kept, whisper them into the ear of your dearest, most trusted friend.” And so it is that in Part 2, where Vivien takes over the story as it unfolds a century earlier, a great and utterly unexpected secret is revealed about how the poem came to be and to disappear, lost to history and memory and the coppers.

A philosophically charged tour de force by one of the best living novelists in English.

Pub Date: Sept. 23, 2025

ISBN: 9780593804728

Page Count: 320

Publisher: Knopf

Review Posted Online: May 24, 2025

Kirkus Reviews Issue: July 1, 2025

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