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SOMETHING IN THE AIR

RADIO, ROCK, AND THE REVOLUTION THAT SHAPED A GENERATION

An authoritative, enthusiastic, eminently readable slice of pop-culture history honoring a medium that sadly seems close to...

The golden age of radio as told by grizzled deejays, canny programmers and one passionate listener.

Over the past decade-plus, the advent of the iPod, podcasts and satellite radio has marginalized AM radio to the point that few bother with amplitude modulation unless they’re in their car and need some traffic and weather on “the 8s.” Unless listeners can choose exactly what it is they’re listening to, they simply won’t. Obviously, that wasn’t always the case; beginning in the early 1950s and climaxing sometime in the late ’80s, AM radio spread music and messages across the airwaves far more effectively than pre-cable network television. All these advancements and shifts within (and without) the medium beg the simple question, Was radio better then or now? At the very least, according to Fisher, in the beginning, pop radio was far more personal, colorful and affecting. A veteran Washington Post politics/culture columnist, Fisher presents a version of radio’s cultural development via a series of mini-biographies of AM heavyweights, like iconoclastic humorist and jazz lover Jean Shepard, maverick programmer Todd Storz, the effervescent Bruce “Cousin Brucie” Morrow and oh-so-macho mouthpiece Tom Leykis, among others. The FM side of the dial is touched on only briefly, most memorably in the informative discussion about the roots of National Public Radio. As this book is at heart a celebration, Fisher focuses primarily on the positive, only briefly recounting such black marks as the oft-reported Alan Freed payola scandal and Steve Dahl’s infamous 1977 “Disco Demolition Night” in Chicago. Fisher (After the Wall, 1995) elicits engaging, often hilarious stories from his interview subjects, particularly the tale of Cousin Brucie’s 1965 encounter with the Beatles. Some might question the author’s choice of featured personalities—a chapter about Dick Biondi, for example, would have been welcome—but this is a Fisher-eye view of radio, and that’s more than acceptable.

An authoritative, enthusiastic, eminently readable slice of pop-culture history honoring a medium that sadly seems close to extinction.

Pub Date: Jan. 16, 2007

ISBN: 0-375-50907-0

Page Count: 400

Publisher: Random House

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Nov. 1, 2006

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THE ELEMENTS OF STYLE

50TH ANNIVERSARY EDITION

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...

Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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